Amazing Spider-Man

The ultimate mid-August afternoon fun!

The Wings of the Vulture! Cover, May 1972. Penciled by Gil Kane || Inked by John Romita
Happy Birthday, Part Three p.p, 28-29, December 2003. Penciled by John Romita Jr. || Inked by Scott Hanna
Wolfhunt! Page 1, October 1973. Penciled by Ross Andru || Inked by John Romita
The Birth of a Super-Hero! Page 1, November 1966. Art by John Romita
The Vulture’s Prey Page 1, September 1968. Penciled by John Romita || Inked by Mickey Demeo

The Final Chapter Page 3. Art by Steve Ditko
The Final Chapter Page 4. Art by Steve Ditko
The Final Chapter – Art by Steve Ditko

Sunday Strip, January 21, 1979. Art by John Romita

The Kid Who Collects Spider-Man. Sketch pages, January 1984
The Kid Who Collects Spider-Man, Page 1. Penciled by Ron Frenz || Inked by Terry Austin
The Night of the Prowler Page 16, November 1969. Penciled by Jon Buscema || Inked by Jim Mooney
And Death Shall Come Page 10, November 1970. Penciled by Gil Kane || Inked by John Romita
And Death Shall Come Page 10, November 1970. Penciled by Gil Kane || Inked by John Romita
To Smash a Spider Page 17, December 1970. Penciled by Gil Kane || Inked by John Romita
In the Grip of the Goblin, Unpublished cover, June 1917. Penciled by Gil Kane || Inked by Frank Giacoia

 

August 15, 2017 @ The Society of Illustrators

The first ever exhibition of original Spider-Man with artwork mainly by John Romita but also my two favourites, Steve Ditko and Gil Kane; including Todd McFarlane, John Buscema, Ross Andru, Gil Kane, Ron Frenz, Keith Pollard, John Romita Jr. and others.

The exhibit runs through August 26th, 2017.

You’re welcome!

The largest cathedral in the world is, of course, in New York. And it’s still growing

Adjacent to the creepiest, most unsettling children’s sculpture garden in the city sits the Cathedral of St. John the Divine; the whole 121.000 sq ft (11.240+ sq m) of it.

Originally envisioned in a Romanesque-Byzantine style it was later changed to a Gothic Revival design with massive granite arches that support the building Рwhich has no steel or iron skeleton Рand a dome so high it could fit the Statue of Liberty underneath, made of Guastavino tile and intended as a temporary covering. The dome was supposed to be removed when the transepts were built, but so far only half of the north transept is constructed. For this 120-year-old gigantic church is, as yet, unfinished. 

St. John the Divine is the cathedral church of the Episcopal Diocese of New York and, as such, the largest cathedral in the world. By some accounts, it is also the world’s third largest church – or is it the fifth?

But, size and grandeur aside, the cathedral is an active house of worship, a concert hall with excellent acoustics and an exhibition space, year-round.

On the day we visited, it was hosting ”The Christa Project: Manifesting Divine Bodies” with works by contemporary artists ”exploring the language, symbolism, art, and ritual associated with the historic concept of the Christ image and the divine as manifested in every person‚ÄĒacross all genders, races, ethnicities, sexual orientations, and abilities.

Edwina Sandys‚Äô ”Christa”, the project’s centerpiece, was first displayed during the Holy Week of 1984, inevitably attracting mixed reactions: positive in general, there were also those who condemned it as a ‘blasphemy” for changing the symbol of Christ and ”sexualizing” it (by depicting it as a female figure). It seems this time the statue was welcomed unanimously, since it remained on display for several months.

Seeing Christa displayed prominently in this glorious setting it occurred to me that, had this been in an Orthodox church – let alone a cathedral – in my home country (Greece), there would have been riots, threats of excommunication – the full stereotypical drama!

The Poets‚Äô Corner was created in 1984 in honour of American writers and literature. Located in the cathedral’s Arts Bay, it is modeled after a similar alcove for writers at Westminster Abbey in London.

Cathedral of St. John the Divine
1047 Amsterdam Avenue, 112th Street

January 21st, 2017

 

The creepiest, most unsettling children’s sculpture garden in the city

Sits next to the¬†Cathedral of St. John the Divine, in Morningside Heights. It is adorned with little bronze statues, the “Animals of Freedom” created by children artists selected in a public competition in 1985. The statues are circling a larger bronze sculpture the “Fountain of Peace”, created by Greg Wyatt, sculptor-in-residence at the Cathedral. Laden with biblical symbols and connotations, some peaceful but mostly violent, such as a tranquil Moon and a joyous Sun, Archangel Michael, the Prince of the Archangels and Defender of the Faith, a decapitated Satan (defeated by the sword of said Archangel), a giant crab, giraffes and several other animals all sitting on a pedestal that resembles the double helix of DNA – the tree of life, while four sets of hands rise up from the ground.

Spectacular? Yes
Peaceful? Wouldn’t say so, what do you think?

Morningside Heights,
Manhattan

January 21st, 2017