Charleston || And now for some Art…

@ the Gibbes Museum of Art.

We will have a better view of the galleries tomorrow but, today, I wanted to share with you the one portrait that stood out from the entire collection of the Museum, in my eyes at least. I can’t explain why, but the longer I look at her, the more she captivates me.

Mary Whyte, 1999
by Jill Hooper (b. 1970)
Oil on canvas

A classically-trained painter, Jill Hopper has earned acclaim for her portraits, landscapes and still-life paintings. She paints from life with natural light and attentive engagement with her subjects is the hallmark of Hooper’s work. This portrait conveys Hooper’s deep respect for fellow Charleston artist Mary Whyte. Posed holding the tools of her trade, Whyte is clearly identified as an artist. 

Gibbes Museum of Art, Charleston, SC

April 11th, 2018

Charleston || The Nathaniel Russell House

The one with the stunning, free-flying staircase that will have you stand there gawking for a long moment, at least until your guide rushes you on to the next room, to make space for the next group. There are quite a few magnificent mansions in Charleston but if you only have time for one, the Nathaniel Russel House is your absolute must-see.

”A National Historic Landmark, the Nathaniel Russell House Museum was built over a five-year period and completed in 1808 by Charleston merchant Nathaniel Russell. The house cost $80,000 to build, at a time when the average value of a home was $262. The home’s graceful, free-flying, three-story staircase is an architectural marvel with each cantilevered step supporting the one above and below it.” [source]

Charleston, SC

April 11th, 2018

Young Contemporaries 2018 @ The Halsey

A long-standing tradition at the College of Charleston, Young Contemporaries is an annual exhibition presented by the Halsey Institute, featuring work by College students selected by a nationally prominent juror.

In 2018, the 33rd Annual Juried Student Exhibition was curated by Amy Yoes.

Hope Morgan
Smokers, 2017-18
Charcoal on paper


Austin Darby
Moon, 2017
Graphite and charcoal on paper


Austin Darby
Edge City, 2017
Graphite and charcoal on paper


3 untitled works (2017) by Bow Smith
Liquid silver emulsion print


Lilli Cameron
Le Petit Déjeuner, 2017
Graphite on paper

on top of

”Many faces”, 2018 by Hailee Selby
Paper and wire


Danielle Dungo
Rose Series, 2017-18
Oil on panel


Chloe Hogan
Sunday Afternoon, 2018
Oil on canvas


Timothy Hunter
(I Can’t) Stop Daydreaming, 2018
Oil on canvas


Danielle Dungo
Self Portrait, 2018
Oil on canvas


And the winner was…

Anna Newell
Closish, 2018
Graphite and charcoal on paper

YC18 Best in Drawing

A small, personal selection from the Young Contemporaries 2018 @ The Halsey Institute of Contemporary Art

Charleston, SC

April 11th, 2018

Charleston || The Halsey Institute of Contemporary Art

@ the College of Charleston School of the Arts. The beating heart of a young, vibrant art scene. Hope Morgan
Smoke Show
Charcoal on paper


Ruth Marten, New York
The Mimic, 2013
archival digital print

From 1972 to 1980 Ruth Marten was a significant figure in the underground tattoo world in Greenwich Village and, as one of the few women practicing the craft, influenced people’s concept of body decoration. Hired by Jean-Paul Goude for her first illustration for Esquire, she had a 30 year career illustrating for many magazines, music and book covers.


Long-Bin Chen (b. 1964)
Zen Garden, 2013
donated books and plaster


The Halsey Institute hosts between five and seven exhibitions per year, highlighting adventurous contemporary art by emerging and mid-career artists of national stature. All exhibitions are accompanied by extensive educational programming. In addition, the Halsey Institute has maintained a strong international component over the years, bringing in artists from all over the world for residencies, lectures, and exhibitions. 

April 11th, 2018

Charleston || Joseph Manigault House

Charleston is known for its rich history, an important piece of which are its well preserved, glorious mansions-turned-into-museums, bringing joy to architecture & history enthusiasts and large numbers of visitors to the city.

Be prepared for some awe inspiring historic house hopping when you visit Charleston, there’s no escaping that (not that you’d wish to escape it, I’m sure).

So, following our visit to the Aiken-Rhett House, most features of which have been lovingly preserved to their original style, today we tour the Joseph Manigault House, where almost all the rooms have been restored to their original colour schemes and feature historic pieces from the Charleston Museum’s collections.

Descending from French Huguenots who fled religious persecution in Europe in the late 1600s, the Manigaults prospered as rice planters and merchants during the 18th century and became one of South Carolina’s leading families. Joseph Manigault inherited several rice plantations and over two hundred slaves from his grandfather in 1788, and also married well. Arthur Middleton, father of his first wife, Maria Henrietta Middleton, was a signer of the Declaration of Independence. Following Henrietta’s death, he married Charlotte Drayton, with whom he had eight children. The Charleston Museum purchased the house in 1933, and has preserved and interpreted it ever since. [source: The Charleston Museum]

Joseph Manigault House

April 10th, 2018

Charleston || Aiken-Rhett House

If these walls could talk…

… they’d tell you a compelling tale of urban life in antebellum Charleston through the eyes of the powerful and wealthy Governor and Mrs. William Aiken, Jr. and the enslaved Africans who maintained their house, property, and way of life.

The place you are about to see belonged to the Aiken family for 142 years before being turned into a Museum, in 1975. Its current owners, the Historic Charleston Foundation that took over in 1995, adopted a preserved-as-found approach, which means all the rooms and surviving furnishings, including the slave quarters, have been preserved – as opposed to restored – and have not been altered since the mid 19th century.

The Aiken-Rhett House, Charleston, SC

April 10th, 2018