The UN Bubble

Visiting the site of UN Headquarters is like walking into a bubble; a microcosm of our world within my reach, coming to terms with the knowledge I’m no longer walking in New York City but on the grounds of an international territory.

The site of UN Headquarters is owned by the United Nations. It is an international territory. No federal, state or local officer or official of the United States, whether administrative, judicial, military or police, may enter UN Headquarters, except with the consent of and under conditions agreed to by the Secretary-General of the Organization.

United Nations Headquarters remains both a symbol of peace and a beacon of hope – in the present troubled times, more than ever.

Images taken during the 73rd Session of the UN General Assembly (UNGA 73)

Sculpture: “Consciousness”  by Mongolian artist Ochirbold Ayurza, a gift from Mongolia to the United Nations

September 27th, 2018

A Blessed Ghost

Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from Heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

Excerpt from The Rime Of The Ancient Mariner,

a poem by Samuel Taylor Coleridge

Listen to the reading by Deborah Warner

September 16th, 2018 – Aboard the Schooner Pioneer

 

Hoist your Sail when the Wind is Fair

All aboard for a two-hour sunset sail on New York Harbor – on 1885 Schooner Pioneer!


About Schooner Pioneer

In the days before paved roads, small coastal schooners such as Pioneer were the delivery trucks of their era, carrying various cargoes between coastal communities: lumber and stone from the islands of Maine, brick on the Hudson River, and oyster shell on the Chesapeake Bay. Almost all American cargo sloops and schooners were wood, but because she was built in what was then this country’s center of iron shipbuilding, Pioneer had wrought-iron hull. She was the first of only two cargo sloops built of iron in this country, and is the only iron-hulled American merchant sailing vessel still in existence.

By 1930, when new owners moved her from the Delaware River to Massachusetts, she had been fitted with an engine, and was no longer using sails. In 1966 she was substantially rebuilt and turned into a sailing vessel once again. Today she plies the waters of NY Harbor carrying adults and children instead of cargo in her current role as a piece of “living history.”

Today Pioneer is an award winning sail training vessel teaching volunteers of all kinds, traditional maritime skills, and the art of tall ship sailing. [source: South Street Sea Seaport Museum]

Watching Lady Liberty light up, the sky catching fire as the golden hour gave way to the blue and the blue turned to midnight; those two hours on the deck of an 1885 schooner were the most tranquil and peaceful we’d experienced in the City thus far.

New York City Harbor

September 16th, 2018

Judson Dance Theater: The Work Is Never Done [@MoMA]

”For a brief period in the early 1960s, a group of choreographers, visual artists, composers, and filmmakers gathered in Judson Memorial Church, a socially engaged Protestant congregation in New York’s Greenwich Village, for a series of workshops that ultimately redefined what counted as dance. The performances that evolved from these workshops incorporated everyday movements—gestures drawn from the street or the home; their structures were based on games, simple tasks, and social dances. Spontaneity and unconventional methods of composition were emphasized. The Judson artists investigated the very fundamentals of choreography, stripping dance of its theatrical conventions, and the result, according to Village Voice critic Jill Johnston, was the most exciting new dance in a generation.” – [source: MoMA]

Judson Dance Theater: The Work Is Never Done was a walk through the history of Judson Dance Theater with performances, films, photographs, posters and other archival materials. It was also an introduction to the very beginnings of the life and work of artists I have been admiring for some time – and others that were completely new to me.

Instructed by the filmmaker Gene Friedman not to talk or hide their faces, Judith Dunn and Robert Ellis Dunn looked directly at the camera with deadpan expressions until they both broke into laughter. Judith Dunn was a choreographer and member of Merce Cunningham’s company, while Robert Dunn was a teacher and Cunningham’s accompanist.

Gene Friedman
Excerpt from Heads, 1965
16mm film transferred to video


In his workshops, Robert Ellis Dunn presented his students with Cage’s score for ”Fontana Mix” and asked them to use it as inspiration for a performance. The score instructed performers to layer transparencies containing lines and dots over a grid to create a random visual arrangement, with they then interpreted using a variety of movements and actions. This exercise exposed the students to chance operations, a composition technique popularized by Cage that introduced randomness into the art-making process.

John Cage
Fontana Mix, 1958
Ink on paper and transparent sheets


Laughter poem* for James Waring, 2 August 1960, by Ray Johnson


*If you are curious to know how a laughter poem sounds, please click on this page: Atlanta Poets Group to find out. You can also listen to the first one: Laughter poem for Ray Johnson, 30 July 1960, by James Waring
Judson Memorial Church, New York – March 16, 1966
Fred W. McDarrah


Yvone Rainer
”Bach” From Terrain, 1963
Performed at Judson Memorial Church, April 28th, 1963
By Trisha Brown, William Davis, Judith Dunn, Steve Paxton, Yvonne Rainer and Albert Reid

Rainer’s first evening-length work Terrain, was a five-part dance for multiple performers. Some of the sections were choreographed, while others were structured like a game, with rules and strategies that defined each dancer’s behavior but still allowed for spontaneity and improvisation.

Lucinda Childs
Geranium, 1965. Performed at 940 Broadway, January 29th, 1965
Geranium was set to the sounds of a championship football game, complete with sports commentators describing the action on the field, to which Childs added her imitation of sports broadcasting and intervals of music. Using the tape as a score and its sounds as cues, Childs interacted with objects including a wooden pole, a tinfoil scrap, a hammer and a pound of soil. She used a hammock to support her weight as she performed, in slow motion, the movement of a football player who – according to the broadcast – raced toward the ball, stumbled and fell.

Huddle is part of Simone Forti’s Dance Constructions (1960-61), a continually shifting mass of bodies. Seven to nine performers create a solid base and take turns climbing over the group. In doing this, they create a sculptural form Forti has often described as a mountain.

Simone Forti’s Dance Constructions (1960–61) were key forerunners to Judson Dance Theater. Made from inexpensive materials, including plywood and rope, each “construction” prompts actions such as climbing, leaning, standing or whistling. Simultaneously sculptures and performances, the works were first presented at Reuben Gallery and the artist Yoko Ono’s loft, both in New York.

Huddle was performed live in intervals, throughout the exhibition.

September 15th, 2018

We Rode in Style

On our way back to New York, we hopped out of the car and into the luxury of a Strasburg Rail Road First Class Parlour with velvet sofas, upholstered armchairs and chilled wine, carried by a steam engine for a 45 minute trip through the fertile, lush Lancaster County where the time stood (almost) still.

The Strasburg Rail Road is a shortline built to connect the town of Strasburg with the main line. It is the oldest continuously operating railroad in the western hemisphere and the oldest public utility in Pennsylvania.

September 3rd, 2018