”Because when we open ourselves to art, we open ourselves to the world – to people and ideas, to beauty, craft, process and detail, to different cultures, to pain and pleasure, to questions, expression and emotion, to truth and transcendence.”
”The Gibbes Museum of Art is home to the foremost collection of American art that incorporates the story of Charleston. The Museum connects the city and region’s artistic past to a vibrant contemporary art scene. This is what we believe.”
– The Gibbes Museum of Art
Mrs. Elizabeth Digby Peale Polk, 1770
By Charles Willson Peale (1741-1827)
Girl with Cat, ca. 1845-50
By unidentified artist (painted in New England)
Oil on canvas
Rosy Moon off Charleston Harbor, ca. 1908-1916
By Birge Harrison (1854-1929)
Oil on masonite
April (The Green Gown), 1920
By Childe Hassam (1859-1935)
Oil on canvas
Originally titled April 1859, this painting is believed to be a portrayal of the artist’s mother, Rosa Hawthorne Hassam, pregnant with her son. In April 1859 she would have been three months pregnant with Hassam, who was born on October 17, 1859.
The Green Fan (Girl of Toledo, Spain), 1912
By Robert Henri (1865-1929)
Oil on canvas
Magnolia Gardens, ca. 1920
By Alfred Hutty (1877-1954)
Oil on canvas
Alfred Hutty traveled to Charleston for the first time in 1920 to teach a season of painting classes at the Gibbes Museum of Art. Overwhelmed by the city’s beauty, he returned every winter for the next thirty years.
Designs, Wrightsville Beach, 1968
By Minnie Evans (1892-1987)
Collage with oil, crayon and pencil on canvas
Ms. Johnson (Estelle), 1972,
By Barkley Hendricks (b. 1945)
Oil and acrylic on linen canvas
Corene, 1995
By Johathan Green (b. 1955)
Oil on canvas
Steamboat ”Victoria”, 1859
By James Bard (1815-1897)
Oil on canvas
Among the various treasures, a small sample you have seen – and hopefully enjoyed – above, there is a very interesting collection of miniature portraits such as the one below, of the fair Eliza Izard (Mrs. Thomas Pinckney, Jr.), painted by Malbone & dated 1801.
This is where we learned that the first American miniature portraits were painted in Charleston, and the Gibbes’ collection is one of the most important portrait miniature collections in the United States. Containing more than six hundred objects, it spans nearly two hundred years and represents the work of over a hundred artists.
The miniatures, too small to be photographed with a smartphone camera, are not just tiny masterful works of art, but also remembrances of loved ones in the age before photography. They are tokens of love and affection, passed down to us through generations and, as such, should be treasured for ever.
The Gibbes Museum of Art – Charleston, SC
April 11th, 2018
Jonathan Borofsky’s Hammering Man was installed right in front of the Seattle Art Museum, in 1991. Hammering Man is a series of monumental sculptures situated in different cities and was created in honour of the working class women and men of the world.
Daedalus/Upliftment, 2016
Double Elvis, 1963/1976
Caterpillar Suit 1, 2007
Untitled, 1982
Warhol/Basquiat, NYC August 1986
Birdcage
Leda and the Swan, probably after 1915 and before 1923
Morning, probably 1933
Catfish clan figure, 19th-20th century
