A bit of a bull

People queue in order to get photographed touching the bull’s balls, can you believe it. Like this fellow who ran the New York City Marathon the previous day; here, holding his medal with one hand and the bull’s balls with the other. This little ”good luck” ritual is repeated by all kinds of people all day long. Well what can I say – some people are born lucky, for others it takes balls!
No, I didn’t… (in case you were wondering)

November 7th, 2017

No more photos, please…!


Baked enamel on steel plate, granite, 2014

This diva is part of A Fancy Animal Carnival, a series of eleven bronze animals by Taiwanese artist Hung Yi. Every animal is painted in colourful folklore patterns and represents a narrative, expressed through traditional Taiwanese symbols and motifs believed to bring luck.

I didn’t know that giraffes bring good fortune, did you?

Hung Yi

Artwork on 37th St. & Broadway (until April 15th, 2017)

October 9th, 2016

A spot of very instagramable art

Courtesy of Marlborough Gallery, with the kitchen of Nobu Fifty Seven providing a fittingly urban backdrop.


JACQUES LIPCHITZ, Mother and Child, 1949, Bronze
MANOLO VALDÉS, Dama a Caballo B1, 2012, Bronze
MANOLO VALDÉS, Reina Mariana, 2005, Bronze
MAGDALENA ABAKANOWICZ, Walking Figures, 2009, Bronze
TOM OTTERNESS, Cone Fixing Cylinder (large), 2014, Bronze

40W 57th Street

October 1st, 2016

A Gallic touch (with a little help from the Greeks)

This magnificent gilded bronze relief graces the entrance of La Maison Française, part of the Rockefeller Center. A token of friendship between France and the United States, it depicts the two Cities – Paris and New York – reaching towards each other, showered with the gifts brought by the Three Graces, underneath.

According to Greek Mythology, the Three Graces were daughters of Zeus and the Oceanid (daughter of the Ocean) Eurynome. They were:

Aglaia – representing elegance, splendour
Thalia – representing youth, beauty
Euphrosyne – representing mirth

For the purposes of said friendship they became Poésie, Beauté & Elégance, an unwittingly apt transformation judging by their strategic location, watching over Saks Fifth Avenue right across the street.

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Sculpture by Alfred Janniot, ca. 1934 (more reading here & here)

La Maison Française
610 Fifth Avenue
New York

September 28th, 2016

Walking. Dreaming. Adrift.

wp20160925_183304 wp20160925_183305 wp20160925_183350Sleepwalker, 2014
Tony Matelli
Bronze, acrylic, paint

The Sleepwalker will be meandering about in a deep sleep until March 2017 on the High Line. In his dream, people walk past giving him strange looks. Some long to touch him. Others are afraid.

I want to dream like the Sleepwalker. Perhaps I do. Perhaps my whole life is but a long sleepwalk. I’ll know when I wake up. Perhaps I never will.

September 25th, 2016


A strange looking Moonbird

I (mis)took it for a Pokémon Go-ers meeting point until I discovered that it is actually Joan Miró’s Oiseau lunaire (Moonbird), or rather an enlarged version of the sculpture the artist created in 1966. I still think it is the perfect meeting spot for Pokémon Go-ers, although I haven’t seen any crowds appear from nowhere around it yet. It mostly gets ignored in favour of the nearby actual Pokémon hunters’ spot at the Grand Army Plaza or – for the rest of the world – the dazzling 5th Avenue shop windows.What


Midtown Manhattan, Solow Building on 58th Street between 5th and 6th Avenues.

September 11th, 2016

Melting away Standing

Larger than Life.

wp20160910_202444Day in Night out.


Recast and lit anew – the cycle of Life.


Caption accompanying Standing Julian:

Standing Julian is a portrait of Urs Fischer’s friend and fellow artist Julian Schnabel. The massive sculpture is also a wax candle: lit every morning and extinguished each night, Standing Julian will slowly melt over the course of the exhibition. Although this candle will eventually burn down and be discarded – a process that evokes the inevitable transience of life – the sculpture can also be recast and lit anew. As Fischer explained, his waxworks allow ”materials and images take on their own life.”

That was Julian, captured in September. Is there anything left of him today, I wonder. Is he still turning into a puddle of soft wax? Has a new Julian taken his place?

Would I know if nobody told me?

Standing Julian, 2015
Wax, pigment, steel and wicks

Urs Fischer

September 10th, 2016 at The Whitney Museum of American aRt

Woman with Dog

Whichever way you look at her she seems as real as the woman next door. Well, perhaps not Manhattan next door but a smaller city or town like, for instance, my other adoptive home Brussels. She could definitely be the lady that runs the bakery on the ground floor in my building in Brussels.

And yet, although the artist worked on real models making casts directly from their bodies, his sculptures are not really images of specific people. For example, the letters on her lap are addressed to Minnie Johnson, but the model was someone else who lived near Hanson’s studio in Florida. Woman with Dog is therefore a hyper-real figure constructed from different features and, because of that, doubly real in my eyes.

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Duane Hanson
Woman with Dog, 1977

Acrylic and oil on cast polyvinyl with clothing, hair, eyeglasses, watch, shoes, upholstered wood chair, dog hair, leather collar, woven rug, postcard, letters, and envelopes

The Whitney Museum of American Art

September 10th, 2016