The building itself is so photogenic, one could spend hours trying to capture the gorgeous light-and-shadow play that goes on all day, thanks to its octagonal skylights. But that would only be half the fun; so today, let’s take it a step further and focus on the art.
Today and tomorrow and tomorrow…
“Maman” the giant egg-carrying spider; bronze, stainless steel and marble, 1999 (cast 2003) by Louise Bourgeois.
”No Foreigners” (série Nos maîtres les fous / Our Insane Masters), 2016, acrylic on canvas by Cynthia Girard-Renard
”Casualties of Modernity”, 2015, mixed-media installation with HD video, by Kent Monkman
In this installation, Monkman’s drag-queen alter-ego, Miss Chief Eagle Testickle, an agent provocateur and trickster, appears on screen and in mannequin form clad in a PVC nurse’s outfit, tending to her patient, the wheezing cubism. The work is a satirical look at art through Miss Chief’s eyes, foregrounding the artist’s critique of modern art through the downfall of romanticism, cubism and primitivism.
”Eunoia”, 2013, steel extruded aluminum, acrylic and components by Daniel Young & Christian Giroux
”Dérive 45 & 46”, 2015, acrylic on canvas
”Vendredi 11 août 1989 – Mes idées s’envolaient aussitôt” [Friday 11 August 1989 – My ideas took flight immediately], 2014, vinyl and digital print mural by Latifa Echakhch
”Soundsuit”, 2015, mixed media including gramophone horn, ceramic birds, metal flowers, strung beads, fabric, metal and mannequin – by Nick Cave
Healing Rattles: Earth, Wind, Fire, Water, 2010 by Angela Marston
Majestic, 2011, lamp posts, steel, glass, electricity, by Michel de Broin
De Broin’s array of revitalized New Orleans streetlamps, uprooted by Hurricane Katrina in 2005, light up the area as night falls {source}

National Gallery of Canada, Ottawa
October 29th, 2017