Funny Ladies at The New Yorker: Cartoonists Then and Now

”With the vote won in 1920, and a new found freedom, many women moved to the city to find work. In 1925, journalist Harold Ross and his wife Jane Grant, a reporter for the New York Times, created The New Yorker, a humor magazine for the urban elite. When Ross began to look for talent to contribute to this new endeavor, he sought the best. Some of the best included cartoonists who were women; with the support of The New Yorker, they became some of the most heralded cartoonists the art form has known.” [source]

”I’m going to leave him – I’m tired of being Duse* inside.” – by Barbara Shermund

*Eleonora Duse (1858-1924) was an Italian actress, often known simply as Duse. She is regarded as one of the greatest actresses of all time, noted for her total assumption of the roles she portrayed.”

Barbara Shermund
Dear no, Miss Matberry – just the head.” – by Mary Petty
Doris Matthews
Liza Donnelly
Mary Lawton
Carolita Johnson
Liana Finck
Victoria Roberts
Pia Guerra
Maggie Larson
Maggie Larson
Bishakh Som
Julia Suits
Nurit Karlin
Nurit Karlin
Kim Warp
Kim Warp
Roz Chast

These were just a few of the many talents showcasing their work in this exhibition, their creative, witty personalities expressed in their cartoons and beyond – as in Roz Chast’s bio, above.

All of the cartoons shown in the exhibition were published in The New Yorker magazine, © The New Yorker & the artist. The majority of art is the property of the cartoonist.

The Society of Illustrators

July 28th, 2018

Scrambled Yeggs in Party Dresses

Original art from the Museum of Illustration

The Scrambled Yeggs by Robert McGinnis
Cover illustration for the story by Richard Prather
Fawcett Gold Medal Books, 1960, 1968
Designers Colours and Casein White on hot press illustration board


Cafe Sinister by Martha Sawyers
Illustration for the story of the same name by Ben Hecht
Caption: ”I noticed a few evenings later that the baron had a different girl with him. ‘Well, we’ve got a new clue,’ I said. ‘We’ve found out the baron has a redhead fetish.”’
Collier’s magazine, August 21, 1943
Pastel


Hail and Farewell by A. Carter
Illustration for the story by Williston Rich
The American Magazine, December 1938
Oil on canvas


The Party Dress by Henry Patrick Raleigh
Interior illustration for the serialized novel by Joseph Hergesheimer
Caption: ”Lea cut in on Francis. ‘Against my better judgement,’ he said to Nina, ‘I am obliged to tell you are a sweet affair.’ Nina was in a glow of triumph. What especially engaged her was the fact that men rather than women spoke of her dress and praised it.”’
Hearst’s International combined with Cosmopolitan, November 1929
Ink and watercolour on illustration board


Portrait of Billie Burke by Frederic L. ”Eric” Pape
Published in the theatre section of the Sunday New York Herald Tribune, advertisement for ”The Truth Game”, December 28, 1930
Litho crayon on paper


Society of Illustrators

July 28th, 2018

The Art of The Avengers and Other Heroes

For all the Marvelites out there…!

Daredevil King-Size Special #1
Electro, and the Emissaries of Evil! – 1967
Written by: Stan Lee || Penciled by: Gene Colan
Inked by: Marie Severin || Lettered by: Sam Rosen


The Avengers #1
Once an Avenger… Page 16-17 – 1968
Written by: Kurt Busiek || Penciled by: George Pérez
Inked by: Al Vey || Lettered by: Richard Starkings


Marvel Knights = Black Widow #1
The Itsy-Bitsy Spider 1/3: ”Uninvited” Cover – 1999
Written by: Devin Grayson || Art by: J.G. Jones
Lettered by: Richard Starkings


The Amazing Spider-Man #94
On Wings of Death! Page 4 – 1971
Written by: Stan Lee || Penciled by: John Romita Sr.
Inked by: Sal Buscema || Letter by: Artie Simek


The Amazing Spider-Man #94
On Wings of Death! Page 6 – 1971
Written by: Stan Lee || Penciled by: John Romita Sr.
Inked by: Sal Buscema || Letter by: Artie Simek


The Incredible Hulk #287
Loose Ends Cover – 1983
Written by: Bill Mantlo || Penciled by: Ron Wilson
Inked by: Al Milgrom || Lettered by: Jim Novak


Incredible Hulk Special Vol 1
Battles the Inhumans (Preliminary) – 1972
Art by: Jim Steranko


Avengers Assembled – Private Commission, 2009
Art by: John Byrne


The Mighty Thor #159
The Answer at Last! Page 20 – 1968
Written by: Stan Lee || Penciled by: Jack Kirby
Inked by: Vince Colletta || Lettered by: Sam Rosen


The Amazing Spider-Man #119
The Gentleman’s Name is… Hulk! Page 1 – 1973
Written by: Gerry Conway || Art by: John Romita Sr.
Lettered by: John Costanza


The Amazing Spider-Man #86
Beware… The Black Widow! Page 9 – 1970
Written by: Stan Lee || Penciled by: John Romita Sr.
Inked by: Jim Mooney || Lettered by: Sam Rosen


From an exhibition at the Society of Illustrators with original artwork showcasing characters from the Marvel Universe, featuring the Avengers and other heroes. It run between July – October 2018.

July 28th, 2018

A Fashion’s Guide to Heraldry

How many hours did it take to create this modern coat of arms, would you say?

Gown:
Jean Paul Gaultier
”Ex-Voto” evening ensemble, S/S 2007
Grey silk mousseline, white silk-metal lace, crocheted gold and silver silk and iridescent crystals, appliqued holograms and aluminum ex-votos

Rosary:
Ivory, silver and partially gilded mounts
Carved in Germany, ca. 1500-1525

This rosary’s Latin inscriptions read ”Think on death” and ”This is what you will be.”

Reliquary arm of Saint Valentine:
Silver, gilded silver and blue cabochon
Made in Switzerland (Basel), ca. 1380-1400

Headdress:
Alexander McQueen – Shaun Leane, A/W 1998-99
Silver and faceted red crystals

Breastplate:
House of Givenchy
Alexander McQueen & Shaun Leane, S/S 2000
Silver-plated metal, resin and old gold

From the Heavenly Bodies exhibiton, held @The Met in 2018

July 14th, 2018

Ascetic Opulence

From over the top opulence to extreme modesty and back. Fashion is inextricably connected to human nature. To understand the former, you may want to start deciphering the latter first.

Spinario (Boy Pulling a Thorn from his Foot)
Bronzse, partially gilt hair and silvered eyes
Antico (Pier Jacopo Alari Bonacolsi)
probably modeled by 1496, cast. ca. 1501


Seated Paris
Bronze statuette, partially gilt and silvered
Antico (Pier Jacopo Alari-Bonacolsi)
Mantua, ca. 1500


Christian Lacroix
”Gold-Gotha” ensemble, A/W 1988/89


Gianni Versace
Evening top, A/W 1991-92


Gianni Versace
Evening top, A/W 1991-92


Gianni Versace
Jacket, A/W 1991-92


Jean Paul Gaultier
”Surprise de l’Icine” ensemble, A/W 1997-98


Dolce & Gabbana
”Idamante” ensemble, S/S 2016


Dolce & Gabbanna
”Angelica” ensemble, S/S 2016


From the Heavenly Bodies exhibiton, held @The Met in 2018

July 14th, 2018

Deep || Midnight || Blue

If I had to pick one from this plethora of extraordinary gowns, it would have to be this one; an eclectic combination of taffeta and lace, paired with leather biker trousers in Lee McQueen’s inimitable style.

House of Givenchy
Evening Ensemble, S/S 1999 by
Alexander McQueen (1969-2010)

Black silk taffeta, white duchesse satin, white cotton lace, white silk organza, black leather

From the Heavenly Bodies exhibiton, held @The Met in 2018

July 14th, 2018

Halocinations

The Angels wear tiaras.

Fragment of a floor mosaic with a personification of Ktisis [Greek for foundation (of a  city or colony)]
Marble and Glass
Byzantine, made 500-550


House of Lanvin (Jeanne Lanvin)
”Incertitude” evening dress, 1936


And a closer look at Goossens’ tiara and accessories over the statuary vestment for the Virgin of El Rocio, by Yves Saint Laurent.


From the Heavenly Bodies exhibiton, held @The Met in 2018

July 14th, 2018

Heavenly Bodies @ The Met

Heaven Avenue beckoned and we followed, taking a couple of breaks along the way.

First stop, The Met on Fifth Avenue where, for a short while, some truly divine gowns had descended to take their rightful places next to precious jewels, crosses, relics, mosaics and other objects of medieval art from the Museum’s permanent collection.

When fashion crosses that fine line between ”nothing is sacred” yet ”everything is”, in supreme style.

Dolce & Gabbana, A/W 2013-14


Thierry Mugler
”Madonna” evening ensemble, A/W 1984-85

This ensemble served as the finale to Thierry Mugler’s tenth anniversary collection, staged awt Le Zenith, an indoor arena in Paris. The model Pat Cleveland wore it as she was lowered from the ceiling of the auditorium on a cloud of dry ice, as if descending from heaven.


Alexander McQueen
Ensemble, S/S 1999
Birch plywood and ivory leather’ ivory wool twill and ivory silk lace


Riccardo Tisci
Statuary vestment for the Madonna Delle Grazie, 2015 (original design, 1950)


Yves Saint Laurent
Statuary Vestment for the Virgin of El Rocio, ca. 1985
Tiara and accessories by Goossens


Yves Saint Laurent
Wedding Ensemble, A/W 1977-78


Christian Lacroix
Wedding ensemble, A/W 2009-10


Jean Paul Gaultier
Ensemble S/S 1994


House of Dior by John Galliano
Evening ensemble, A/W 2000-2001


House of Dior by John Galliano
”Madonna” wedding ensemble, A/W 2005-6


The Metropolitan Museum of Art

July 14th, 2018

Twinkle Twinkle

Little StarZ

@Park_Avenue_Armory

Interdisciplinary artist Nick Cave created a dance-based town hall—part installation, part performance—to which the community of New York was invited to “let go” and speak their minds through movement, work out frustrations, and celebrate independence as well as community. 

The Let Go – June 24th, 2018