Getty & The Ladies

The rare instance of being a voracious womanizer who “could hardly ever say ‘no’ to a woman, or ‘yes’ to a man”, could momentarily be overlooked.

3/
Portrait of the Marquise de Miramon, née Thérèse Feuillant, 1866
James Tissot (1836-1902)
Oil on canvas

4/
Jeanne (Spring), 1881
Édouard Manet (1832-1883)

Oil on canvas

Depicting young actress Jeanne Demarsy as the fashionable embodiment of spring, this portrait was part of an unfinished series of the seasons that Manet undertook at the end of his life. 

5/
Portrait of Jeanne Kéfer, 1885
Fernand Khnopff (1858-1921)
Oil on canvas

6/
Portrait of Princess Leonilla of Sayn-Wittgenstein-Sayn, 1843
Franz Xaver Winterhalter (1805-1873)
Oil on canvas

7/
Mischief and Repose (1895)
John William Godward (1861-1922)
Oil on canvas

The Getty Center

July 18th, 2017

Nude || Not || Naked

Celebrating the human body (but the artist’s daughters seem less than impressed).

1/
Nude Study of an Indian Man, about 1878-79
Émile-Jules Pichot (1857-1936)
Charcoal and powdered vine charcoal with stumping and lifting

Little is known of Pichot, to whose talents as a draftsman this sheet attests. The drawing’s date, however, can be determined with some precision, for the same gaunt, bearded model (possibly a Hindu ascetic or a Sikh) appears in a drawing by Georges Seurat, a contemporary of Pichot and destined for greatness.

2/
Standing Male Nude, 1866
Gabriel Ferrier (1847-1914)
Charcoal with black chalk

This accomplished nude study executed when the artist was nineteen years old, predicted a bright future for Ferrier in the official art world. Largely forgotten today, he won the French Academy’s prestigious Rome Prize in 1872 and later received prominent commissions, including decorations for the Gare d’Orsay train station (today the Musée d”Orsay).

3/
Adolescent I, about 1891
George Minne (1866-1941)
Marble

This nude, emaciated youth defiantly exposes his body while simultaneously crossing his arms in a protective embrace, indicating shame and anguish. Minne was one of the major representatives of a circle of Symbolist artists and writers based in Ghent, Belgium.

4/
Dancer, 1912
Paolo Troubetzkoy (1866-1938)
Bronze

Countess Thamara Swirskaya (Saint Petersburg, 1890-Los Angeles, 1961), the famous Russian pianist and dancer depicted here, performed throughout Europe and the United States. J. Paul Getty, who purchased this piece in 1933, may have attended one of her shows in the U.S. She posed for this lively composition in 1909 in Paris, where Troubetzkoy, the son of a Russian prince and American mother, lived between 1905 and 1914.

5/
Double Portrait of the Artist’s Daughters, 1889
Adolf von Hildebrand (1847-1921)
Polychrome terracotta

Freestanding double-portrait busts are rare in European sculpture, and this is one of the few known examples. Hildebrand’s termination of the figures above the waist and his use of subtle colours are based on Italian Renaissance portraiture. This sensitive portrayal of the artist’s daughters, Silvia and Bertel, is remarkable among the sculptor’s normally restrained official portraits and monuments.

The Getty Center

July 18th, 2017

The Getty Department of Photographs is the Mecca of Photography

The J. Paul Getty Museum’s collection of over one hundred thousand images is among the most comprehensive holdings of rare and important photographs in the world. It ranges from daguerreotypes to work by contemporary photographers.

For conservation purposes and, may I add, due to their sheer number, photographs cannot be kept on permanent display, but go on view during rotating exhibitions. The images below are from ”Now Then: Chris Killip and the Making of In Flagrante” , ‘‘the most important photobook to document the devastating impact of deindustrialization on working-class communities in northern England in the 1970s and 1980s”.

Paired here with an image from the Cactus Garden and a detail from one of the exterior walls showcasing just a few of the 1.2 million square feet of travertine stone used to cover many surfaces of the Getty Center.

2/
Bever Skinningrove (1987) by Chris Killip
Gelatin silver print

The Getty Center

July 18th, 2017

”Elementary, my dear Watson”

Under the magnifying glass: A view of the Bay of Naples, Looking Southwest from the Pizzofalcone towards Capo di Posilippo, 1791 by Giovanni Battista Lusieri (1755-1821)

The precision of the figures and architecture – first painstakingly depicted with pencil underdrawing – has led many to speculate that Lusieri used an optical device such as a camera obscura. However, eyewitness accounts of the artist at work do not support this theory. Lusieri painted the view over a period of two years from rooms in the Neapolitan residence of Sir William Hamilton, British envoy to the court of Naples. Hamilton commissioned it to hang in his London home, perhaps to serve as a reminder of this sunny scene when he returned to his often-gloomy homeland. 

Lusieri is getting Sherlocked @ The Getty Center

July 18th, 2017

Taking sides

Do we really have to? I can’t decide.

Bust of Juliette Récamier, ca. 1801-2
Joseph Chinard (1756-1813)

Juliette Récamier (French, 1777-1849) was a socialite renowned for her literary circle, but perhaps even more for her beauty. At age fifteen, she married Jacques-Rose Récamier, a banker, thirty years her senior – and her mother’s longstanding lover. Rumor had it that Récamier was, in fact, her natural father and they got married so that she would become his heir(!) Apparently, the marriage was never consummated.

Prince Lucien Bonaparte, Napoleon’s brother, courted her; Prince Augustus of Prussia proposed but she refused to divorce her husband/father; the French Romantic writer François-René de Chateaubriand was a constant visitor of her salon. The courtship never seized; despite advanced age, ill-health and reduced circumstances having lost most of her fortune, Juliette remained as charming as ever.

In this bust, her friend Chinard, a brilliant portraitist, enhanced her charming features by slightly tilting her head, paying attention to details such as her hair and including her arms and delicate hands.

@ The Getty Center

July 18th, 2017

The Getty Villa

J. Paul Getty purchased his first work of ancient art in 1939 – a small terracotta sculpture. Almost thirty years later, inspired by his growing collection of antiquities of Greek, Roman, and Etruscan art, he announced he would build a museum worthy of such treasures: a recreation of the Villa dei Papiri, a luxurious Roman residence in Herculaneum, Italy that had been buried by the eruption of Mount Vesuvius in 79 A.D.

The Villa dei Papiri (“Villa of the Papyruses”) was rediscovered in the 1750s. The excavation recovered bronze and marble sculptures, wall paintings, colorful stone pavements, and over a thousand papyrus scrolls – hence the name. The Getty villa is a near replica of it, in scale and appearance; even some of the materials used were taken from the Villa dei Papiri. (source)

In other words, the Getty Villa should be seen as a work of art in itself and feature high on your list of ”must-see” museums next time you plan a trip to Southern California. 

In antiquity, as today, awnings served both a ceremonial and practical purpose. Roman hosts invited guests to dine on outdoor couches protected from the sun by colourful fabric. Tends and awnings throughout towns and cities marked festivals and holidays and provided shade for the audience in open-air arenas and theatres.


Pair of Altars with Aphrodite and Adonis
Greek, made in Taras, South Italy, 400-375 B.C.


Mixing Vessel with Adonis, Aphrodite and Persephone
Greek, made in Athens, 390-380 B.C.


Venus
Roman, A.D. 100-200; found in Rome


Muse
Roman, about A.D. 200


Storage Jar with Medusa
Greek, made in Athens, 530-520 B.C.


The Lansdowne Herakles
Roman, about A.D. 125

This sculpture was one of J. Paul Getty’s most prized possessions and inspired him to build this Museum in the style of an ancient Roman villa. The statue, representing the Greek hero Herakles with his lionskin and club, was discovered in 1790 near the villa of the Roman emperor Hadrian at Tivoli, Italy.


Poet as Orpheus with Two Sirens
Greek, made in Taras, South Italy, 350-300 B.C.


Pair of Peacocks
Roman, from Syria, possibly Emesa (present-day Homs), A.D. 400-600


Sadly – and alarmingly – the Getty Villa will remain closed all weekend – Saturday and Sunday, November 10 and 11, 2018 – due to the ongoing wildfires in order to help firefighting efforts by alleviating traffic on the Pacific Coast Highway. The Villa itself is not threatened by the fires.

Here’s hoping to see the end of this destruction, soon.

The Getty Villa