Urban Light

An assemblage sculpture of 202 vintage street light lampposts from the 1920s and 1930s, created by Chris Burden with the express intention to be placed in the empty plaza in front of the Los Angeles County Museum of Art, on Wilshire Boulevard. The cast iron lampposts range from 20 to 30 feet in height and were salvaged from Los Angeles neighborhoods. The installation is lit up from dusk to dawn and is solar-powered. Especially popular after dark, be prepared to drive a few rounds before finding a parking spot close enough.

Urban Light by Chris Burden, 2008.

LACMA, L.A.

May 7th, 2019

The fabulous geometry of art

And a pleasant surprise, as we wandered through the galleries of LACMA, those ones that remained open during the museum’s extensive renovation and expansion. The surprise was finding out that Magritte’s ”Ceci n’est pas une pipe” belongs to LACMA; for some reason, I was convinced it would belong to the permanent collection of the Magritte Museum in Brussels. What a fittingly surreal connection between my two favourite cities in the world!

Ellsworth Kelly || Blue Curve III, 1972 || Oil on canvas
Joel Shapiro || Untitled (Dancing Man), 1981 || Cherry wood, oil, paint
David Smith || Cubi XXIII, 1964 || Stainless steel
Juan Gris || Seated Harlequin, 1920 || Oil on canvas
Pablo Picasso || Centaur, 1955 || Painted wood
Pablo Picasso || Woman with a Blue Veil, 1923 || Oil on canvas
Richard Pousette-Dart || The Edge, 1943-45 || Oil on linen
Georgia O’Keeffe || Horse’s Skull with Pink Rose, 1931 || Oil on canvas
René Magritte || The Liberator, 1947 || Oil on canvas
René Magritte || The Treachery of Images (This is Not a Pipe/Ceci n’est pas une pipe), 1929 || Oil on canvas
Jean Charlot || Portrait of Sergei Eisenstein (Retrato de Eisenstein), 1932 || Oil on canvas
Amedeo Modigliani || Reverie (Study for the Portrait of Frank Burty Haviland), 1914 || Oil and graphite on cardboard
Georg Schrimpf || Child Portrait (Peter in Sicily), 1925 || Oil on canvas
George Grosz || Portrait of Dr. Felix J. Weil, 1926 || Oil on canvas
Magnus Zeller || The Orator, c. 1920 || Oil on canvas
Yee Sookyung || Translated Vase, 2013 || Ceramic discards, epoxy, 24k gold leaf
Zhu Jinshi || Wave of Materials, 2007/2019 || Cotton, bamboo, stone, xuan paper

Los Angeles County Museum of Art (LACMA) 

May 7th, 2019

Getty & The Ladies

The rare instance of being a voracious womanizer who “could hardly ever say ‘no’ to a woman, or ‘yes’ to a man”, could momentarily be overlooked.

3/
Portrait of the Marquise de Miramon, née Thérèse Feuillant, 1866
James Tissot (1836-1902)
Oil on canvas

4/
Jeanne (Spring), 1881
Édouard Manet (1832-1883)

Oil on canvas

Depicting young actress Jeanne Demarsy as the fashionable embodiment of spring, this portrait was part of an unfinished series of the seasons that Manet undertook at the end of his life. 

5/
Portrait of Jeanne Kéfer, 1885
Fernand Khnopff (1858-1921)
Oil on canvas

6/
Portrait of Princess Leonilla of Sayn-Wittgenstein-Sayn, 1843
Franz Xaver Winterhalter (1805-1873)
Oil on canvas

7/
Mischief and Repose (1895)
John William Godward (1861-1922)
Oil on canvas

The Getty Center

July 18th, 2017

Nude || Not || Naked

Celebrating the human body (but the artist’s daughters seem less than impressed).

1/
Nude Study of an Indian Man, about 1878-79
Émile-Jules Pichot (1857-1936)
Charcoal and powdered vine charcoal with stumping and lifting

Little is known of Pichot, to whose talents as a draftsman this sheet attests. The drawing’s date, however, can be determined with some precision, for the same gaunt, bearded model (possibly a Hindu ascetic or a Sikh) appears in a drawing by Georges Seurat, a contemporary of Pichot and destined for greatness.

2/
Standing Male Nude, 1866
Gabriel Ferrier (1847-1914)
Charcoal with black chalk

This accomplished nude study executed when the artist was nineteen years old, predicted a bright future for Ferrier in the official art world. Largely forgotten today, he won the French Academy’s prestigious Rome Prize in 1872 and later received prominent commissions, including decorations for the Gare d’Orsay train station (today the Musée d”Orsay).

3/
Adolescent I, about 1891
George Minne (1866-1941)
Marble

This nude, emaciated youth defiantly exposes his body while simultaneously crossing his arms in a protective embrace, indicating shame and anguish. Minne was one of the major representatives of a circle of Symbolist artists and writers based in Ghent, Belgium.

4/
Dancer, 1912
Paolo Troubetzkoy (1866-1938)
Bronze

Countess Thamara Swirskaya (Saint Petersburg, 1890-Los Angeles, 1961), the famous Russian pianist and dancer depicted here, performed throughout Europe and the United States. J. Paul Getty, who purchased this piece in 1933, may have attended one of her shows in the U.S. She posed for this lively composition in 1909 in Paris, where Troubetzkoy, the son of a Russian prince and American mother, lived between 1905 and 1914.

5/
Double Portrait of the Artist’s Daughters, 1889
Adolf von Hildebrand (1847-1921)
Polychrome terracotta

Freestanding double-portrait busts are rare in European sculpture, and this is one of the few known examples. Hildebrand’s termination of the figures above the waist and his use of subtle colours are based on Italian Renaissance portraiture. This sensitive portrayal of the artist’s daughters, Silvia and Bertel, is remarkable among the sculptor’s normally restrained official portraits and monuments.

The Getty Center

July 18th, 2017