Dreamscape
Manhattan Bridge
May 26th, 2019
Overexposed
Category: may 2019
An extraordinary character
Brought to life by an extraordinary actor.
‘‘… the more I have read the book, the more recent readings of the book have me realized that it’s not about gender at all. It’s not about gender. It’s about limitlessness and it’s about — it’s — it’s about revolution.”
Tilda Swinton with B. Ruby Rich: Orlando | Live from the NYPL
Twenty-seven years after starring in Orlando, a film adaptation of Virginia Woolf’s 1928 novel, Tilda Swinton became a guest-editor in the Aperture 235 – Summer 2019 issue, and curator of an accompanying exhibition around the theme of the gender fluid, extraordinary character that is Orlando.
One of the unmissable NYPL live conversations at a time when the only concern was booking before the event was sold out.
May 29th, 2019
Song for Rain
It works.
Manhattan, N.Y.
May 26th, 2019
The Model. The Photographer. The Bridge.
Manhattan Bridge, Brooklyn
May 26th, 2019
On Roosevelt Island
Kids will be kids and Moms will be Moms.
May 25th, 2019
StarDome
From star gazers at the Griffith Observatory, to space age travelers at LAX airport, time to head back East.
May 11th, 2019
The Astronomers Monument @Griffith_Observatory
Astronomers Monument is a product of the great economic depression of the 1930s, when New Deal initiatives created federally-funded work programs to employ skilled workers at a time when they would otherwise remain idle and without income. One of the first of these programs, the Public Works of Art Project (PWAP), began in December 1933. Soon thereafter, in cooperation with the Los Angeles Park Commission, PWAP commissioned a sculpture project on the grounds of the new Observatory (which was under construction).
Using a design by local artist Archibald Garner and materials donated by the Womens’ Auxiliary of the Los Angeles Chamber of Commerce, Garner and five other artists sculpted and cast the concrete monument and figures. Each artist was responsible for sculpting one astronomer; one of the artists, George Stanley, was also the creator of the famous “Oscar” statuette. The other artists involved were Arnold Forester, Djey el Djey, Gordon Newell, Roger Noble Burnham.
The six astronomers featured on the monument are among the most influential and important in history. The six figures represent the Greek astronomer Hipparchus (about 125 B.C.), Nicolaus Copernicus (1473-1543), Galileo Galilei (1564-1642), Johannes Kepler (1571-1630), Isaac Newton (1642-1727), and John Herschel (1738-1822). Albert Einstein was considered for inclusion, but planers ultimately decided it would be inappropriate to feature someone still alive (the monument was completed in 1934; Einstein died in 1955). [sources: The Living New Deal & Griffith Observatory]
May 10th, 2019
Capturing Hollywood
Griffith Observatory, L.A.
May 10th, 2019
Hollywood Busts
Similar expressions, millenia apart.
Belisarius (about 505-565) was a Byzantine general whose military prowess was envied by the emperor Justinian, who banished and allegedly blinded the general. The subject was popular among French eighteenth-century writers and artists, both as political allegory and as a means of depicting the pathos of a fallen hero. Stouf skillfully rendered the crinkled skin around the eyes, the sunken cheeks, and the luxuriant curls of the beard and hair with a subtlety that belies the challenge of carving stone.
Belisarius at the Getty Center || James Dean at Griffith Observatory
Los Angeles
May 10th, 2019
The Goddess Nicotina, c. 1860
Unmasked
From a photo album accompanying the exhibition ”Oscar Rejlander: Artist Photographer” exploring the life and work of one of the most influential photographers of the 19th century.
”Oscar G. Rejlander (British, born Sweden, 1813-1875) was one of the 19th century’s greatest innovators in the medium of photography, counting Queen Victoria, Prince Albert, Charles Darwin, Lewis Carroll and Julia Margaret Cameron among his devotees.
Oscar G. Rejlander was born in Sweden and moved to England in 1839, working first as a painter before turning to photography in 1852. He made a living as a portrait photographer while experimenting with photographic techniques, most notably combination printing, in which parts of multiple negatives were exposed separately and then printed to form a single picture. Rejlander moved to London in 1862, where his business continued to grow and where his wife, Mary Bull, worked alongside him in his photography studios.” [source: The Getty Center]
For more photos by Oscar Rejlander, please visit this Art Blart article.
The Getty Center, L.A.
May 10th, 2019
The Humble Fabulist 