A stunningly beautiful hike
Treasure Loop Trail #56 – Apache Junction, AZ
Superstition Mountains
January 31st, 2019
Every single detail bears the signature of the landlord. Taliesin West was Frank Lloyd Wright’s winter home and school in the Sonoran desert from 1937 until his death in 1959 at the age of 91. Visiting FLW houses is always a pleasure, but walking inside his own home was a real privilege.
Taliesin West (where even coffee is part of the brand, bearing the distinctive stamp of honour)
January 31st, 2019
Designed as a winter retreat to escape the harsh winters of the Midwest, established in 1937, supervised by the master himself and handcrafted by his students (who were camping in the desert until they managed to build a roof over their heads), Taliesin West is not just part of the desert, ”it is the desert itself” – as Frank Lloyd Wright once said.
January 31st, 2019
”The Thorne Miniature Rooms represent a world in minuscule. Created at an exacting scale of one inch to one foot, several of the rooms replicate actual rooms found in the United States and Europe, while the remainder were inspired by the architecture and interior design of their respective periods and countries.
These rooms were conceived, designed, and in large part crafted by Narcissa Niblack Thorne (1882-1966). An Indiana native, Thorne began to collect miniature furniture and household accessories during her travels to England and Asia shortly after the turn of the 20th century.
Beginning in 1930, Thorne commissioned interiors scenes to contain her growing collection of miniature objects. At their tiny scale, some of the rooms even contain period-style rugs Thorne had woven specifically for each space. Thorne and the craftsmen with whom she worked completed nearly 100 rooms. Her hope was that perfectly proportioned rooms in miniature could substitute for costly and space-consuming full-scale period rooms that museums across the country were beginning to acquire. They also reflect the architectural revivals popular amongst wealthy patrons for their homes, and publicized in the shelter magazines of the period.
The original 30 Thorne Miniature Rooms were displayed at the 1933 Chicago Century of Progress Exposition and they gained national attention when featured in a 1940 LIFE Magazine article. In 1962, Thorne donated 20 of the original 30 rooms to a fledgling Phoenix Art Museum, then celebrating its third anniversary, and the rooms have been on view since that time. Other examples of the Thorne Rooms can be seen at the Art Institute of Chicago (68) and in the Knoxville Museum of Art (9).” [source & details]
January 30th, 2019
Hugo Robus (American, 1885-1964)
Untitled (Men and Machines), 1919
Oil on canvas
Georgia O’Keeffe (American, 1887-1986)
Pink Abstraction, 1929
Oil on canvas
Emil Bisttram (American, 1895-1976)
Ranchos de Taos Church, c. 1937
Oil on canvas
Carlos Orozco Romero (Mexican, 1898-1984)
La barranca (The Ravine), c. 1943-1946
Oil on canvas
Alfredo Ramos Martínez (Mexican, 1871-1946)
La Malinche (Joven de Yalala, Oaxaca) (La Malinche [Young Girl of Yalala, Oaxaca]), c. 1940
Oil on canvas
Philip C. Curtis (American, 1907-2000)
Mountain Village, 1955
Oil on board
Philip C. Curtis (American, 1907-2000)
Mountain Village, 1955 [detail]
Oil on board
January 30th, 2019
ARt & ARchiTecture:
1/The Horse
Deborah Butterfield (American, b. 1949)
Ponder (Reflexionar), 1981
Wood, wire and steel
2/The Hypnotic Blue
James Turrell (American, b. 1943)
Mohl ip, 2008
Tall Glass / Wide Glass Series
3/The Abstract Wallpaper
Arturo Herrera (Venezuelan, b. 1959)
Tale, 1995
Latex on wall
January 30th, 2019
Classic art was also contemporary once.
Ragnar Kjartansson: Scandinavian Pain & Other Myths was the Southwestern US premiere of work by Icelandic artist Ragnar Kjartansson (b. 1976), presented by the Phoenix Art Museum.
It consisted of three major works: the 40-foot long neon installation Scandinavian Pain, along with The End-Venice, Kjartansson’s contribution to the 2009 Venice Biennale during which he secluded himself in a fourteenth-century palazzo and produced one painting per day for six months (the entire duration of Venice Biennale). Each painting depicts his friend and fellow artist Páll Haukur Björnsson, in a Speedo.
Rei Kawakubo for Comme des Garçons
Dress and shoes from the S/S 2018 collection
Art on Dress: Giuseppe Archimboldo
Jan Anthonisz van Ravesteyn (Dutch, c. 1570-1657)
Portrait of an Old Woman, late 16th-mid 17th century
Oil on canvas
The third work by Ragnar Kjartansson was his superb nine-screen installation that was filmed in one take at the historic Rokeby farm in upstate New York. Named after ABBA’S final album, The Visitors, it records the performances of a group of friends, musicians and artists, playing simultaneously but in different rooms of the mansion. They all play the same song each one enriching it with their own voice, instrument and presence. Kjartansson himself performs most of the time in a bathtub. The film mesmerizes and moves audiences of all ages wherever it is shown. You can watch a recording of the recording, uploaded on YouTube by one of its many admirers.
Anish Kapoor (British, b. 1954)
Upside Down, Inside Out, 2003
Resin and paint
January 30th, 2019
Taking its rightful place alongside more traditional forms of art.
Alessandro Michele (Italian, b. 1972) for Gucci
Ensemble F/W 2016
Stephen Jones (British, b. 1957)
”Show” Hat, F/W 2013 ”Art School”
Perspex Plexiglas
Deborah Williams Remington (American, 1930-2010)
Dover, 1975
Oil on canvas
Stephen Jones (British, b. 1957)
”Sewing” Hat, S/S 2018
Printed cotton with satin cord and metal bodkin
Rei Kawakubo (Japanese, b. 1942)
Comme des Garçons, S/S 2018
Rei Kawakubo (Japanese, b. 1942)
Comme des Garçons, S/S 2018
Rei Kawakubo (Japanese, b. 1942)
Comme des Garçons, S/S 2018
Rei Kawakubo (Japanese, b. 1942)
Comme des Garçons, S/S 2018
Viola Frey (American, 1933-2004)
Nude Man, 1989
Glazed ceramic
John Galliano (British, b. 1960) for Maison Margiela
Ensemble Fall 2018
Kehinde Wiley (American, b. 1977)
Marechal Floriano Peixoto (from The World Stage: Brazil Series), 2009
Oil on canvas
January 30th, 2019
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