Mesa, AZ
February 1st, 2019
Every year, in a tradition established since 2010, Mesa Contemporary Arts Museum publishes a limited edition calendar featuring 12 original works on paper by emerging and contemporary artists.
Every five years the Museum organizes a retrospective exhibition that showcases all the prints that have been part of the Mesa Contemporary Arts Annual Print Calendar for the last five years.
First Impressions 2019 was the second retrospective. The works ranged from relief prints to screen prints as well as etchings to lithographs.
Farhana Shifa Ahmed (Chandler, Arizona)
Owls, Photopolymer etching
Brooke Molla (Tucson, Arizona)
Desert Collection
Spoon rubbed woodcut on old topography map
Gretchen Schermerhorn (Silver Spring, Maryland)
Ladies of the Potomac
Woodblock, digital and screen print
Brent Bond (Scottsdale, Arizona)
The Guarding of Eating
Photopolymer relief and letterpress
Charles Barth (Cedar Rapids, Iowa)
Ready for More, Collagraph
Darshana Patel (Scottsdale, Arizona)
Untitled, Aquatint
Brooke Molla (Tucson, Arizona)
Nature, Relief on Japanese paper
David Manje (Mesa, Arizona)
A Quién Veo
Photo polymer intaglio, chine-collé
Brent Bond (Scottsdale, Arizona)
Bar-ometer
Letterpress with multiblock linocut relief
Mark McDowell (Scottsdale, Arizona)
Untitled, Photopolymer relief with linocut
Marlys Kubicek (Phoenix, Arizona)
In My Humble Opinion
Three-color reduction linocut
Katherine Sheehan (Long Beach, California)
Trickster Coyote and El Segundo Blues
Seven color screen print
David Manje (Mesa, Arizona)
Sea Impecable Con Su Lengua [Be Impeccable with your Tongue]
Photo Polymer Intaglio
Mesa Contemporary Arts (MCA) Museum
Mesa, AZ
February 1st, 2019
The Mandala Series by Janet Towbin
From Janet Towbin’s solo show at Mesa Contemporary Arts Museum
Phoenix, AZ
February 1st, 2019
Every single detail bears the signature of the landlord. Taliesin West was Frank Lloyd Wright’s winter home and school in the Sonoran desert from 1937 until his death in 1959 at the age of 91. Visiting FLW houses is always a pleasure, but walking inside his own home was a real privilege.
Taliesin West (where even coffee is part of the brand, bearing the distinctive stamp of honour)
January 31st, 2019
Designed as a winter retreat to escape the harsh winters of the Midwest, established in 1937, supervised by the master himself and handcrafted by his students (who were camping in the desert until they managed to build a roof over their heads), Taliesin West is not just part of the desert, ”it is the desert itself” – as Frank Lloyd Wright once said.
January 31st, 2019
”The Thorne Miniature Rooms represent a world in minuscule. Created at an exacting scale of one inch to one foot, several of the rooms replicate actual rooms found in the United States and Europe, while the remainder were inspired by the architecture and interior design of their respective periods and countries.
These rooms were conceived, designed, and in large part crafted by Narcissa Niblack Thorne (1882-1966). An Indiana native, Thorne began to collect miniature furniture and household accessories during her travels to England and Asia shortly after the turn of the 20th century.
Beginning in 1930, Thorne commissioned interiors scenes to contain her growing collection of miniature objects. At their tiny scale, some of the rooms even contain period-style rugs Thorne had woven specifically for each space. Thorne and the craftsmen with whom she worked completed nearly 100 rooms. Her hope was that perfectly proportioned rooms in miniature could substitute for costly and space-consuming full-scale period rooms that museums across the country were beginning to acquire. They also reflect the architectural revivals popular amongst wealthy patrons for their homes, and publicized in the shelter magazines of the period.
The original 30 Thorne Miniature Rooms were displayed at the 1933 Chicago Century of Progress Exposition and they gained national attention when featured in a 1940 LIFE Magazine article. In 1962, Thorne donated 20 of the original 30 rooms to a fledgling Phoenix Art Museum, then celebrating its third anniversary, and the rooms have been on view since that time. Other examples of the Thorne Rooms can be seen at the Art Institute of Chicago (68) and in the Knoxville Museum of Art (9).” [source & details]
January 30th, 2019
Hugo Robus (American, 1885-1964)
Untitled (Men and Machines), 1919
Oil on canvas
Georgia O’Keeffe (American, 1887-1986)
Pink Abstraction, 1929
Oil on canvas
Emil Bisttram (American, 1895-1976)
Ranchos de Taos Church, c. 1937
Oil on canvas
Carlos Orozco Romero (Mexican, 1898-1984)
La barranca (The Ravine), c. 1943-1946
Oil on canvas
Alfredo Ramos Martínez (Mexican, 1871-1946)
La Malinche (Joven de Yalala, Oaxaca) (La Malinche [Young Girl of Yalala, Oaxaca]), c. 1940
Oil on canvas
Philip C. Curtis (American, 1907-2000)
Mountain Village, 1955
Oil on board
Philip C. Curtis (American, 1907-2000)
Mountain Village, 1955 [detail]
Oil on board
January 30th, 2019
ARt & ARchiTecture:
1/The Horse
Deborah Butterfield (American, b. 1949)
Ponder (Reflexionar), 1981
Wood, wire and steel
2/The Hypnotic Blue
James Turrell (American, b. 1943)
Mohl ip, 2008
Tall Glass / Wide Glass Series
3/The Abstract Wallpaper
Arturo Herrera (Venezuelan, b. 1959)
Tale, 1995
Latex on wall
January 30th, 2019
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