Step into the fantastic realms of Meow Wolf

An immersive, playful and completely bonkers experience that will simultaneously enhance and mess with your senses. What happens when 200 full-time creatives and hundreds of other collaborators come together under one roof, free to unleash their full creative potential? The House of Eternal Return, that’s what. With over 70 rooms to be explored in no particular order, direction or time, where getting lost means finding your way to other worlds, the one more surprising, colourful and dizzying than the other. And if it becomes too much to bear, you can step out for a break any time. Though the question is: do you really want to?

Meow Wolf, Santa Fe

April 29th, 2019

Georgia O’Keeffe Museum

Black Hollyhock Blue Larkspur, 1930 ~ Oil on canvas
Canna Leaves, 1925 & Corn No.2, 1924 ~ Oil on canvas
Blue Line, 1919 ~ Oil on canvas
Alfred Stieglitz ~ Georgia O’Keeffe – Hands, 1912 ~ Gelatin silver print
No. 17 – Special, 1912 ~ Charcoal on paper
Anything, 1916 ~ Oil on board
Abstraction, 1945 ~ Charcoal on paper
Todd Webb ~ Georgia O’Keeffe with Camera, 1958 ~ Gelatin silver print
John Loengard ~ Grooming Dogs, Abiquiú, 1966 ~ Gelatine silver print
Dan Budnik ~ Georgia O’Keeffe with Chow and Friends at Ghost Ranch, 1975 ~ Gelatin silver print
Ansel Adams ~ Georgia O’Keeffe at Yosemite, 1938 ~ Gelatin silver print
Flagpole, 1925 ~ Oil on canvas
Untitled (City Night), 1970s & Ritz Tower, 1928 ~ Oil on canvas
The Barns, Lake George, 1926 ~ Oil on canvas
Detail of a built-in bench with a rattlesnake from Georgia O’Keeffe’s home, in Abiquiú
Horse’s Skull with White Rose, 1931 ~ Oil on canvas
Ram’s Head, Blue Morning Glory, 1938 ~ Oil on canvas
Black Mesa Landscape, New Mexico/Out Back of Marie’s II, 1930 ~ Oil on canvas
Kokopelli, 1942 ~ Oil on board
Kokopelli with Snow, 1942 ~ Oil on board
Blue – A, 1959 ~ Oil on canvas

A Great American Artist ~ A Great American Story

Georgia O’Keeffe Museum, Santa Fe

April 27th, 2019

Pioneer Works: Thinking Differently Together

Pioneer Works is an artist-run cultural center that opened its doors to the public, free of charge, in 2012. Imagined by its founder, artist Dustin Yellin, as a place in which artists, scientists, and thinkers from various backgrounds converge, this “museum of process” takes its primary inspiration from utopian visionaries such as Buckminster Fuller, and radical institutions such as Black Mountain College.

Pioneer Works encourages radical thinking across disciplines by providing practitioners a space to work, tools to create, and a platform to exchange ideas that are free and open to all. We are driven by the realization that humanity is facing unprecedented social, intellectual, and spiritual challenges; our programs explore new ways of facing those challenges by using the arts and sciences dynamically as both a lens and catalyst. When humanity comes together and combines the ideas and talents of many, we have the ability to engineer what once appeared to be impossible. [source]

Images from The CryptoFuturist and The New Tribal Labyrinth
Atelier Van Lieshout

Second Sunday – April 14th, 2019
[Second Sundays is a free event series including open-doors to artists’ studios]

Joan Miró || Birth of the World

Head of a Man, 1937. Gouache and oil on coloured paper
The Beautiful Bird Revealing the Unknown to a Pair of Lovers, 1941. Gouache, oil wash, and charcoal on paper
Still Life I, 1922-23. Oil on canvas
Still Life III, 1922-23. Oil and gouache on canvas
Still Life II, 1922-23. Oil on canvas
Woman (Opera Singer), 1934. Pastel and pencil on flocked paper
”Hirondelle Amour”, 1933-34. Oil on canvas

“You and all my writer friends have given me much help and improved my understanding of many things,” Joan Miró told the French poet Michel Leiris in the summer of 1924, writing from his family’s farm in Montroig, a small village nestled between the mountains and the sea in his native Catalonia. The next year, Miró’s intense engagement with poetry, the creative process, and material experimentation inspired him to paint The Birth of the World.

In this signature work, Miró covered the ground of the oversize canvas by applying paint in an astonishing variety of ways that recall poetic chance procedures. He then added a series of pictographic signs that seem less painted than drawn, transforming the broken syntax, constellated space, and dreamlike imagery of avant-garde poetry into a radiantly imaginative and highly inventive form of painting. He would later describe this work as “a sort of genesis,” and his Surrealist poet friends titled it The Birth of the World. [source: MoMA]

Self-Portrait I, 1937-38. Pencil, crayon, and oil on canvas

The exhibition ran between February-June 2019 and featured artwork from the Museum of Modern Art’s collection of Miró’s works, which is one of the finest and most comprehensive in the world. However, the most comprehensive selection of Miró’s oeuvre actually on view has to be that of the Fundació Joan Miró, in Barcelona, a dedicated space created by Joan Miró himself with the idea of making art accessible to all.

MoMA, New York City

April 4th, 2019

Real || Surreal

Colour palleting with:

A Gallery Visitor

Sophie Taeuber-Arp
Dada Head, 1920
Painted wood with glass beads on wire

Salvador Dalí
Retrospective Bust of a Woman, 1933
(some elements reconstructed 1970)
Painted porcelain, bread, corn, feathers, paint on paper, beads, ink stand, sand, and two pens

@MoMA

April 4th, 2019