Christmas windows in the City

Holiday window displays in Manhattan are integrally connected with Christmas in the collective consciousness of New Yorkers – and in that of the regular, or even occasional visitors too. They’ve become part of the tradition, glitz and glamour and beauty of the holiday season and there just can’t be Christmas in the City without them.

Here, for instance, are some takes from Bergdorf Goodman’s breathtaking displays, inspired by some of the city’s most iconic institutions such as the American Museum of Natural History,  Museum of the Moving Image, The New York Botanical Garden, New York Philharmonic and New-York Historical Society (there are also windows for Brooklyn Academy of Music (BAM)  and UrbanGlass but I have no captures of them).

Entitled ”To New York with Love”, a celebration of the city’s ongoing love affair with arts, history and music, they are simply spectacular.


New York Philharmonic


The New York Botanical Garden


Museum of the Moving Image


American Museum of Natural History (and an avid admirer)


New-York Historical Society


And back to business with the commercial part and evening gowns – entrance in grand style guaranteed.


A ball in the Four Seasons, maybe? 


At which point I have to move on because I feel I’m turning green; head over heels (image from Elie Tahari)

Midtown Manhattan
December 17th, 2017

Christmas in the City

Enjoying an extended and-of-year break in New York City!

  • Extra days off from work – check.
  • Elbowing way through to Fifth Avenue Christmas windows – check.
  • Putting newfound navigating skills on ultra-packed streets to test – check.
  • Baking Greek Christmas cookies – check.
  • Go see the Rockettes – uh, maybe not this year. This type of variety show still has to grow on me.

A Radio City Stage Door Tour for an insider’s look at the Art Deco details, a walk into the – otherwise off-limits – Roxy Suite, a photo with a Rockette, cheesy as this may sound – check, check!

Starting point, a view over the Grand Foyer. Art Deco elements are omnipresent, floor to ceiling: the carpet we are walking on was designed by Ruth Reeves in 1932 to form a tile collage, each tile an abstract depiction of a musical instrument. Reeves had studied with French painter Fernand Léger in Paris in the early 1920s. Léger’s influence is evident in Reeves’ innovative design – so innovative that it looks every bit as modern today as at the time it was conceived, 85 years ago.Radio City’s interior designers Edward Durell Stone and Donald Deskey spared no expense nor effort to make the place as grand and stylish as possible. That is evident everywhere and restrooms are no exception. Here we are at the Ladies’ lounge, adjacent to the restroom on the third level, with a ”Panther” Mural of 1932, by Jenry Billings at its centre. Stylistically leaning towards Surrealism, still very much in place in an Art Deco environment. A ”Wild West” Mural, by Edward Buk Ulreich graces the Gentlemen’s lounge.The period leading to Christmas and New Year is the high season for the Rockettes who regularly go through their grueling routine of high kicks and tapping up to seven times a day and still do it with precision, impeccable style and – most difficult of all – a radiant smile (albeit a teary one at the end of the day). Here, we steal glimpses of one of their routines from the balcony.

Marveling at the vast, 6000-seat auditorium, where there are no pillars to obstruct the view, our guide informs us that, actually, it is what goes on under the stage that’s most impressive – the stage elevator system. This feat of engineering allows Radio City’s massive stage to be moved as necessary, in three parts, at the push of a button. Now, if that didn’t impress you just consider that, when assessed during the building’s massive renovation of 1999, the inspectors established that it was in such excellent condition, the elevator system was more or less the only feature that could be left untouched. It was built in 1932!

Interestingly, it attracted the Navy’s interest and the same principle was used in their aircraft carrier systems during World War II. It was thus that the stage elevator system of the Radio City Hall, became a national secret and even had its own government security agent guarding it throughout the War.
That staircase leads to Roxy’s Suite, where impresario Samuel “Roxy” Rothafel, the man who opened the venue and commissioned most of the features we enjoy today in Radio City Music Hall, used to receive his glamorous guests. Today, it is available to hire as a reception space. 

The Spirit of Dance, Aluminium Sculpture, 1932 – by William Zorach. This was one of three statues removed from the Music Hall just before its opening, because they were considered risqué. They were later reinstalled after several months, following strong criticism.The Phantasmagoria of the Theater by Louis Bouche, at the main lounge of Radio City Music Hall.

The crystal Christmas Tree stealing the limelight from the chandeliers and Ezra A. Winter’s epic mural that overlooks the grand foyer. ”The Fountain of Youth”, 1932, is one of the first commissions for the Music Hall and depicts a legend from the Oregon Indians about the beginning of time.

From the Radio City Music Hall, Happy Holidays to one and all!

Tour on November 26th, 2017

40°

It must have been the coldest evening yet and it made me wish I was wearing boots and a warm hat. The 40° sign behind the giant Christmas lights is my witness.wp120161208_201528

Avenue of the Americas

December 8th, 2016