Laura ad infinitum

Michael Craig-Martin, Digital portrait of Laura, Lady Burlington, 2010. The computerized portrait is live, changing colors every 5 – 15 seconds. The program randomly selects the color and duration of each unique sequence.

The portrait was commissioned by Lord and Lady Burlington, the son and daughter-in-law of the 12th Duke of Devonshire.

Using a black line portrait of Lady Burlington, Craig-Martin’s software divides the image into nine different color areas (hair, skin, lips, eyebrows, etc.). A 52″ monitor projects the portrait, which is vertically mounted to resemble a typical framed painting. The software changes the color of the image every 5 to 15 seconds, but this is no loop – instead, the software is programmed to randomly select the colors and timing of each sequence, resulting in millions of possible image combinations. The result is truly a sight to behold.

Born in Dublin, Ireland, artist Craig-Martin attended the Yale University School of Art before working as a tutor at Goldsmiths College in London; Damien Hirst and Tracey Emin are just two of the many young artists he taught. His work is found in a number of public collections, including the Irish Museum of Modern Art, New York’s Museum of Modern Art, New York, Tate and the Centre Pompidou.

Laura’s portrait was one of the Treasures from Chatsworth: The Exhibition, on show at Sotheby’s New York, in 2019.

August 11th, 2019

The way we dream in the digital age

In Japanese

Red-Eyed Tribe, 2000
Digital ink-jet print
Chiho Aoshima, b. 1974

With no formal training in art, Chiho Aoshima made her debut as an artist with a series of digital prints that were created by her masterful use of Adobe Illustrator. Originally designed as an advertisement for an Issey Miyake fashion show, this work features red-eyed nymphs in a fantasy land. 

”A member of Takashi Murakami’s Kaikai Kiki collective, Chiho Aoshima is part of a group of young Japanese artists whose work investigates-and indeed is fueled by-Japan’s obsession-inducing anime and manga culture. Aoshima uses Macintosh illustration software to produce cartoon-like images that merge traditional elements of Japanese art with the latest computer design techniques. This large digital print appropriates the traditional Japanese handscroll format to create a surreal landscape of biomorphic shapes, flying caterpillars and inverted mountains. Aoshima’s world is inhabited by red-eyed females in contemporary (circa 2000) Japanese fashions, infusing the cult of cuteness with a slightly more sinister subtext.”

The digital print is 19 5/8 x 138 in. (49.8 x 350.5 cm). You can see it in full length here.

Source: SAM Collection

Seattle Art Museum

June 15th, 2018