Museum of the City of New York

Kubrick or no Kubrick, learning about New York City’s past, present and future in a dedicated Museum, is fun. As is capturing Starlight, the brilliant light fixture by Cooper Joseph Studio which dominates its entrance and lights up the circular staircase.


Poster detail from the Suffrage parade through Madison Square, 1915. The ladies were dressed in white, emblem of purity, which was a way for more moderate suffragists to show their support for the vote.

Detail from ”Ruckus Manhattan: Wall Street-Newsstand and Lamppost, 1976
Papier-mâché, wood, plastic, fiberglass and vinyl by Red Grooms, Mimi Gross and Ruckus Construction Company

”The Truth Is… I See You”, speech bubbles by Hank Willis Thomas (b. 1976)
MetroTech Commons, 2015

A boot, worn by ”Mrs. Potts” in Beauty and the Beast, 1993-94

Museum of the City of New York, East Harlem, Manhattan

May 9th, 2018

Through a Different Lens: Stanley Kubrick Photographs

Stanley Kubrick was just 17 when he sold his first photograph to the pictorial magazine Look in 1945. In his photographs, many unpublished, Manhattan-born and Bronx-raised Kubrick trained the camera on his native city, drawing inspiration from the nightclubs, street scenes, and sporting events that made up his first assignments, and capturing the pathos of ordinary life with a sophistication that belied his young age.

Through a Different Lens: Stanley Kubrick Photographs features more than 120 photographs by Kubrick from the Look Magazine archive of the Museum of the City of New York, an unparalleled collection that includes 129 photography assignments and more than 12,000 negatives from his five years as a staff photographer.

The exhibition was on show in the Museum of the City of New York through October 2018, a tribute to the great cinematographer-to-be, capturing life in his City. It is now traveling and on show in Skirball Cultural Center, Los Angeles through March 8, 2020.

Park Benches: Love is Everywhere
Unpublished, filed: May 1, 1946

This series of photographs captured New Yorkers, many unaware of Kubrick’s camera, in romantic situations on park benches, fire escapes and other locations. Several images were probably taken with infrared film and flash, which allowed Kubrick to photograph in the dark. Kubrick likely learned of this technology, rare among magazine photographers at the time, from the celebrated tabloid photographer Weegee, who used the technique in the early 1940s to photograph seemingly unaware patrons at movie theatres.

Dentist’s Office: Americans Are Dutiful but Nervous Dental Patients
Published: October 1, 1946

While Mama Shops: Kids are Bored, Get into Mischief While Mom’s Away
Published: March 18, 1947

Advertising Sign Painters at Work
Unpublished, Filed: September 3, 1947

Kubrick shared this unpublished assignment with two other photographers, Frank Bauman and Tom Weber. The photographers documented a publicity stunt performed by sign painters and a live female model as they created a billboard for a Peter Pan bra advertisement high above the corner of Fifth Avenue and 42nd Street.

Shoeshine Boy
Unpublished, Filed: October 6th, 1947

One of the earliest narrative assignments Kubrick created for Look was a series of photographs of Mickey, an adolescent shoeshine boy. Kubrick shot more than 250 photographs that closely followed Mickey through the course of his day.

Columbia University
Author: Don Wharton, Published: May 11, 1948

Wash Day: Look visits a Greenwich Village Self-Service Laundry
Published: April 27, 1948

Midsummer Nights in New York
Author: Patricia Coffin, Published: July 19, 1949

Rosemary Williams: Showgirl
Unpublished. Filed: March 1949

One of Kubrick’s largest unpublished profiles, approximately 700 images of aspiring model and actress Rosemary Williams, was likely created for a proposed day-in-the-life piece contrasting her onstage persona and her backstage real life.

A Dog’s Life in the Big City
Author: Isabella Taves
Published: November 8, 1949

Exploring the lives of New York’s 291,018 licensed dogs, this story extolled an ”only in New York” quirkiness that Look often promoted in its coverage of the city.

What Teenagers Should Know About Love
Author: Evelyn Millis Duvall
Published: October 10, 1950

Museum of the City of New York, East Harlem, Manhattan

May 9th, 2018

Heartbreak America

”…no other nation on Earth comes close to experiencing the frequency of mass shootings that we see in the United States. No other developed nation tolerates the levels of gun violence that we do. Every time this happens, we’re told that tougher gun laws won’t stop all murders; that they won’t stop every deranged individual from getting a weapon and shooting innocent people in public places. But the evidence shows that they can stop some killings. They can save some families from heartbreak. We are not helpless here. And until all of us stand up and insist on holding public officials accountable for changing our gun laws, these tragedies will keep happening”.

“We should soundly reject language coming out of the mouths of any of our leaders that feeds a climate of fear and hatred or normalises racist sentiments; leaders who demonise those who don’t look like us, or suggest that other people, including immigrants, threaten our way of life, or refer to other people as sub-human, or imply that America belongs to just one certain type of people.”

“It has no place in our politics and our public life. And it’s time for the overwhelming majority of Americans of goodwill, of every race and faith and political party, to say as much – clearly and unequivocally.”

Former US President Barack Obama

August 5th, 2018 following the mass shootings in
El Paso, Texas on August 3rd 2019 & Dayton, Ohio on August 4th 2019.