From the permanent collection.
I was particularly drawn to the delicate work by Tomoko Ishida ”Co-twisted, 2003”, using paper and starch. The intricate Macramé knots and fringes by Françoise Grossen, like her Shield & Blu, c. 1968. And the most striking of them all, Judith Shaechter’s stained glass kaleidoscope, adorning the second floor stairwell. Aptly titled ”Seeing is Believing” this site-specific permanent installation extends the art viewing to an otherwise bare and functional space and rewards those curious enough to peek behind closed doors.
The Museum of Arts and Design (MAD)
2, Columbus Circle
New York City
March 12th, 2017
The Humble Fabulist 