Union Church of Pocantico Hills

Less than a mile from the Kykuit estate sits this unassuming little church, we would have completely bypassed but for an article listing it as one the ”surprising places to see art in the Hudson Valley”.

And even though after reading the article it was no longer a surprise, we were still awestruck the moment we set foot inside, instantly surrounded by light flowing through Marc Chagall’s nine stained-glass windows, topped by “La Rosace” (the Rose Window), Henri Matisse’s last work.

We learned that “La Rosace” was designed as one of Matisse’s colored paper “cut-outs” and was completed just a few days before the artist’s death. Matisse died before the window could be fabricated, but his daughter, Marguerite Duthuit, discovered the completed paper maquette at Matisse’s home and took charge of the commission, which she invested with great emotional significance as her father’s last creation. “La Rosace” was dedicated to the memory of Abby Aldrich Rockefeller on Mother’s Day, 1956. [source]

Photography inside the church was strictly prohibited, but you can see the windows and hear their story by taking a virtual tour inside Union Church of Pocantico Hills.

Union Church on Pocantico Hills

Tarrytown, N.Y.

July 19th, 2019

Being: Tarsila & Henri & Joanna & Sofia

Getting acquainted with the work of Tarsila do Amaral, whose art is as stunning as the artist herself; capturing the minimal geometry of New York’s temple of modern art; feeling the urge to stop by ”The Piano Lesson”, one of Matisse’s most interesting compositions (a few more times and I might even begin to like it); leaping from modern art to ”New Photography” and its 2018 edition examining how photography can capture ”what it means to be human”. liaTarsila do Amaral, Estudo (Academia no. 2), 1923, oil on canvas


Tarsila do Amaral, A  Gare, 1925, oil on canvas


Tarsila do Amaral, O touro, 1928, oil on canvas


Tarsila do Amaral, O sono, c. 1928, oil on canvas


Tarsila do Amaral, Urutu, 1928, oil on canvas


Tarsila do Amaral, Operários, 1933, oil on canvas


Henri Matisse, The Piano Lesson, 1916, oil on canvas


Joanna Piotrowska, XXIII Frowst, 2013-2014, silver gelatin hand print


Sofia Borges. Theatre, or Cave, 2014. UV-printed wallpaper, printed 2018


Sofia Borges, Yellow Chalk, 2017,  pigmented inkjet print


MoMA, March 25th, 2018