Available Light was a 1983 creation, a collaboration between three American icons: choreographer Lucinda Childs, composer John Adams and architect Frank Gehry, commissioned by the Museum of Contemporary Art, in Los Angeles.
The work was revived in 2015 and it was this updated version that we had the chance to enjoy as part of Lincoln Center’s ”Mostly Mozart Festival”, in 2018. Lucinda Childs’ interpretation of John Adams’ music that moves and unfolds like an expanding universe, was a deceivingly simple – in reality highly complex, energetic choreography, wonderfully complemented by Frank Gehry’s architectural set design.
A compilation of interviews with with John Adams, Lucinda Childs and Frank Gehry, with photographs of the original production, can be found in this 2015 article, by Julie Lazar, curator of the original work, in 1983.
Jazz @ Lincoln Center
July 13th, 2018
New York City
June 29, 2018
A Night at the Opera, Die Zauberflöte
A Monument to Debussy, Aristide Maillol
September 30th, 2017
in Lincoln Center.
With music and drinks, followed by more music in an evening tagged as ”born of ice and fire”.
With the New York Premiers of Finnish composer Esa-Pekka Salonen’s Wing on Wing, written for and featuring soprano sisters Anu and Piia Komsi, and Icelandic composer Anna Thorvaldsdottir’s etherial Aeriality (ice) –
and a superb performance by the New York Philharmonic’s Artist-in-Residence for 2016-2017, renowned violinist Leonidas Kavakos, who played Brahms’ Violin Concerto (fire).
After the concert, we were joined by some of the Philharmonic musicians who, following the ”obligatory” Q&A session, simply mingled with the guests for some more music and drinks.
No, Mr. Kavakos was not among them.
May 20th, 2017
Those were the days…! Benjamin Morris, plan for a new Met, 1928
Architect Benjamin Morris, who had also proposed plans for the West 57th Street opera house, continued to work with the Met board’s New Site Committee. In May 1928, Morris presented a plan for the land now occupied by Rockefeller Center. His proposal for an opera house facing a plaza, surrounded by commercial towers, was the origin of what would later become the Center. Benjamin Morris, plan for Metropolitan Square, 1928
Metropolitan Opera House
May 14th, 2017