live from the nypl – The Humble Fabulist

Brought to life by an extraordinary actor.

‘‘… the more I have read the book, the more recent readings of the book have me realized that it’s not about gender at all. It’s not about gender. It’s about limitlessness and it’s about — it’s — it’s about revolution.”

Tilda Swinton with B. Ruby Rich: Orlando | Live from the NYPL

Twenty-seven years after starring in Orlando, a film adaptation of Virginia Woolf’s 1928 novel, Tilda Swinton became a guest-editor in the Aperture 235 – Summer 2019 issue, and curator of an accompanying exhibition around the theme of the gender fluid, extraordinary character that is Orlando.

One of the unmissable NYPL live conversations at a time when the only concern was booking before the event was sold out.

May 29th, 2019

We were there too, with a couple of hundred more admirers, sharing the same space with one of the most important musical minds of the century – and the century before, enjoying a casual conversation about his life, friends, lineage [”covers a lot of things… but the important thing about lineage is the connectiveness”], lessons learned from his father, Ben, like mental chess or, the most important of them all, how to listen…

[”Father had a record store…”][”…After a whole day in a music store he went home and listened to music. If he had records in the store and couldn’t sell them, he wanted to see what’s wrong with them. So he brought them home and listened to them. His idea was, if he could find out what’s wrong with them he could buy the right records… Pieces he brought home were mostly modern pieces; it could be Shostakovich… Bartók, and he would listen to them over and over… he became kind of expert on modern music… and his little store in Baltimore became the place to go when you were looking for modern music…”]Paul: ”I love the story of John Cage saying to you: ”It’s good… But there are too many notes!”
Philip: ”No, he never said it was good…! Don’t make it better than it was!” ”He said: ”Philip…. Too many notes!” And I said: ”John, I’m one of your children whether you like it or not…”Thoughts, pauses, reflections, life fragments, anecdotes, friends; his epic Einstein on the Beach; the inspiration he took from Rothko’s vision; his creative combination of live performance with film in La Belle et la Bête; his memories of Moondog, the mighty Viking of 6th Avenue… the fact that he worked as a plumber and, more adventurously, as a taxi driver to fund his music. [”At some point, I began to ask myself where did the music come from; then, I decided to write music because it would be a way to learn where it came from. But it turned out not to be true… I spent the rest of my life trying to answer that question… and I still can’t…”]