Allow two hours to cross to New Jersey and back – extra time for walks in Fort Lee Historic Park, for more views of the river and Manhattan that will test your sense of scale. If you’re lucky, you may even make some new friends among the permanent residents of the Park.
Sidewalks are shared by pedestrians and bikes. Construction projects may affect which side is open. Info about this and directions to the sidewalks can be found here.
Tried and tested remedy: a latte (whole milk, large) and a five minute walk across Times Square for a shock of colour – your daily dose of colour therapy*
Coby Whitmore (1913-1988). Watercolour and pencil on illustration board
Illustration for the story by Florence Jane Soman
Caption: ”There was something in their eyes that made her say swiftly, ‘it’s going to happen to you too. You wait and see.”’
The Ladies’ Home Journal, 1953
Light reflects on the glass adding – or hiding – details. I tried to filter them out somewhat and the result was this mellow, pastel effect. Still, rather pleasing.
”Repent in Haste”, Gouache on board, by Harry Anderson (1906-1996)
Illustration for the story by Katherine Greer.
Caption: ”Here, in this very window, might be her ring!”
Redbook magazine, January 1950
Couple on balcony in formal evening dress. Pastel, guache and charcoal on board, by John La Gatta (1894-1977)
Caption: ”It was restful to be near Sara, thought Vilas. You didn’t have to explain things to her. She understood.”
Cosmopolitan magazine, 1949
The Clever Sister. Guache on bard, by Edwin Georgi (1896-1964)
Illustration from ”The Clever Sister” by Margaret Culkin Banning
Caption: ”Beneath the strangely different melodies of their lives ran hidden themes that others never heard; yet one refrain they had in common: ‘Whom does Barney love – my sister or me?”’
Woman’s Home Companion, January 1947
The Butterfly Man. Watercolour on paper, by Harrison Fisher (1875-1934)
Illustration for the book by George Barr McCutcheon
Caption: ”They, too, were seen together very often of late.”
This work also appeared in ”A Garden of Girls”, published by Dodd, Mead & Co., 1910
The Temptress. Oil paint on linen, by Mortimer Wilson, Jr. (1906-1996)
Title illustration for the story by Ann Pinchot
Caption: ”This way, darling” she said… He followed her, as he would follow her anywhere.
The American Magazine, ca. 1945
James McVane, M.D. Oil paint on board, by John La Gatta (1894-1977)
Illustration for a story by Philip Wylie
Caption: ”Every night I dream I’m being chased by a green locomotive. Does that mean I should give up Creme de Menthe?”
Redbook magazine, April 1938
<<The Permanent Collection of the Museum of Illustration at the Society of Illustrators is one of the most comprehensive collections of this genre in the world. Comprised of over 3,000 works by many of the greatest names in illustration and comic and cartoon art, this celebrated collection is ever expanding thanks to purchase and donation from our membership, art patrons and estates. These works are fully catalogued with portions of the collection constantly on rotating display.>>
Adaptation || Digital || Aad Coudappel || EditorialOf Cats and Men: Portraits || Digital || Sam Kalda || BookT S Eliot || Pen, ink and watercolour on paper || John Cuneo || EditorialSo and So || Coloured pencils || Ofra Amit || Book
”The Society of Illustrators Annual Exhibition features over 400 pieces of the most outstanding works created throughout the year. Open to artists worldwide, thousands of entries are considered by a jury of professionals, which include renowned illustrators, art directors, and designers.
Gold and silver medals are presented to the illustrators and art directors whose works are judged the best in each category.”
Adulting || Digital || Emiliano Ponzi || EditorialHouse of the dead || Hadar Reuven || BookBy the Pool || Digital || Jun Cen || BookThe Whale Who Lived on A Faraway Hill || Carbon Dust || David Ouimet || BookWinter Girl || Pen, ink and watercolour on paper || John Cuneo || EditorialChinese Space Age || Ink and digital || Yuko Shimizu || Editorial
If his mouth worked in the same way as his pen, Mr. Harris would undoubtedly be a helluva gifted artist with tons of devoted fans swearing by his brilliant drawings. As it is, he is a helluva gifted artist with an outspoken controversial character wreaking havoc among fans and embarrassing fellow artists; which is just as well because, yeah, devil is in the details. Today, let us focus on the pen which – as we know – is mightier than the sword. Here are some incredible examples of Mr. Harris’ original artwork that were on view at The Society of Illustrators through March 2017.
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