
Steve depicts a young man the artist met on the street; a rather cool dude, if I may add.
Steve, 1976
Acrylic and oil on linen
Barkley L. Hendricks
September 10th, 2016 at the Whitney

Steve depicts a young man the artist met on the street; a rather cool dude, if I may add.
Steve, 1976
Acrylic and oil on linen
Barkley L. Hendricks
September 10th, 2016 at the Whitney

My Egypt, 1927
Oil, fabricated chalk and graphite pencil on composition board
Charles Demuth
September 10th, 2016 at the Whitney

Spied on from down below.
September 10th, 2016

Mermaid, by Liz Craft. Bronze, steel, paint.
She was part of the ”Mirror Cells” exhibition at the Whitney. When the exhibition ended on August 21st Becky decided to linger awhile. She loved the attention so much she couldn’t bear the thought of parting from one of Manhattan’s most creatively designed terraces.
September 10th, 2016

On my way to work one day, I stopped at a traffic light. While waiting, I looked up.
September 9th, 2016

Attending a briefing at the UN Trusteeship Council Chamber is a remarkable event but same could be said about the chamber itself, dressed floor-to-ceiling in carefully restored elements true to the original designs of Danish architect and designer Finn Juhl.
I think I would be forgiven for getting under the spell of these colourful, beautiful yet practical, retro-futuristic ceiling fixtures for a moment, before going back to work?
September 6th, 2016

Arrived in December 2015 to rival the Gehry skyscraper – in height but not in beauty. 432 Park Avenue is seen by many as an eyesore; its super tall, super thin square shape appears like rising out of nowhere and bears no relation to neighouring buildings. When the weather is low the top floors are lost in the clouds giving literal meaning to the tallest residential building in the world.
Here in b&w because even eyesores look good in it.
November 18th, 2016

Church Street, Tribeca
September 5th, 2016
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