Edvard Munch Photography

It was nearing the end of 2017 and New York was in the mood for Munch with not one, but two exhibitions running in parallel. These images are from ”The Experimental Self”, which focused on Munch’s experimentations with photography showing portraits of friends and family – but mainly of himself.

Did you know that Munch was probably one of the first artists in history to ever take selfies? The Kiss IV, 1902
Woodcut with gouges and fretsaw


Moonlight II, 1902
Woodcut with gouges and fretsaw


The Experimental Self @ Scandinavia House

December 20th, 2017

In The Long Run

If the crystal balls are not helping, there is always hope in dreamcatchers, voodoo dolls and Louise Bourgeois’ Articulated Lair (to this day I have no idea what these black objects, hanging like deflated balloons, might be).

Lee Bontecou
Untitled 1980-98

John Outterbridge
Broken Dance, Ethnic Heritage Series, c. 1978-82

Louise Bourgeois
Articulated Lair, 1986

The Long Run @MoMA, December 3rd, 2017

Ask the Crystal Ball

Although in our multilateral, multifarious, multidisciplinary, multicultural world of multimedia, where fake becomes the norm and the norm is synonymous with loudly expressed – read hysterical – opinions, one would be better off checking with at least a few dozen.

Joan Jonas
Reanimation 2010/2012/2013

Part of a four videos on custom screens, two custom benches and crystal sculpture; two wooden theater boxes with video ; fifteen ink drawings on paper; three oil stick drawings on paper, and two china marker wall drawings Soundtrack and voice: Joan Jonas Sami yoik singing: Ánde Somby Piano and additional sound effects: Jason Moran

@MoMA, December 3rd, 2017 (still on view)