Twinkle Twinkle

Little StarZ

@Park_Avenue_Armory

Interdisciplinary artist Nick Cave created a dance-based town hall—part installation, part performance—to which the community of New York was invited to “let go” and speak their minds through movement, work out frustrations, and celebrate independence as well as community. 

The Let Go – June 24th, 2018

Nick Cave || The Let Go

Nick Cave’s wearable mops soundsuits invaded the entire ground floor of the Park Avenue Armory. When they started dancing, they were mesmerizing.

Nick Cave’s Soundsuits are wearable sculptures that combine performance and textile art. They are named for the noise Cave’s first suit made, when he wore it and started dancing around. They are often made from found objects and cover the wearer completely, so as to mask their identity.  The inspiration for the first Soundsuit, created in 1992, was the brutal beating of Rodney King. Since then, Cave has created over 500 Soundsuits.

Park Avenue Armory – The Let Go

June 24th, 2018

In Conversation – III

Finding our inner balance.

@Park_Avenue_Armory

Interdisciplinary artist Nick Cave created a dance-based town hall—part installation, part performance—to which the community of New York was invited to “let go” and speak their minds through movement, work out frustrations, and celebrate independence as well as community. 

The Let Go – June 24th, 2018

In Conversation – II

Sharing the air between us.

@Park_Avenue_Armory

Interdisciplinary artist Nick Cave created a dance-based town hall—part installation, part performance—to which the community of New York was invited to “let go” and speak their minds through movement, work out frustrations, and celebrate independence as well as community. 

The Let Go – June 24th, 2018

In conversation – I

A heated debate.

@Park_Avenue_Armory

Interdisciplinary artist Nick Cave created a dance-based town hall—part installation, part performance—to which the community of New York was invited to “let go” and speak their minds through movement, work out frustrations, and celebrate independence as well as community. 

The Let Go – June 24th, 2018

National Gallery of Canada || The Art

The building itself is so photogenic, one could spend hours trying to capture the gorgeous light-and-shadow play that goes on all day, thanks to its octagonal skylights. But that would only be half the fun; so today, let’s take it a step further and focus on the art.

Today and tomorrow and tomorrow… “Maman” the giant egg-carrying spider; bronze, stainless steel and marble, 1999 (cast 2003) by Louise Bourgeois.


”No Foreigners” (série Nos maîtres les fous / Our Insane Masters), 2016, acrylic on canvas by Cynthia Girard-Renard


”Casualties of Modernity”, 2015, mixed-media installation with HD video, by Kent Monkman

In this installation, Monkman’s drag-queen alter-ego, Miss Chief Eagle Testickle, an agent provocateur and trickster, appears on screen and in mannequin form clad in a PVC nurse’s outfit, tending to her patient, the wheezing cubism. The work is a satirical look at art through Miss Chief’s eyes, foregrounding the artist’s critique of modern art through the downfall of romanticism, cubism and primitivism.


”Eunoia”, 2013, steel extruded aluminum, acrylic and components by Daniel Young & Christian Giroux


”Dérive 45 & 46”, 2015, acrylic on canvas
”Vendredi 11 août 1989 – Mes idées s’envolaient aussitôt” [Friday 11 August 1989 – My ideas took flight immediately], 2014, vinyl and digital print mural by Latifa Echakhch


 

”Soundsuit”, 2015, mixed media including gramophone horn, ceramic birds, metal flowers, strung beads, fabric, metal and mannequin – by Nick Cave


Healing Rattles: Earth, Wind, Fire, Water, 2010 by Angela Marston


Majestic, 2011, lamp posts, steel, glass, electricity, by Michel de Broin

De Broin’s array of revitalized New Orleans streetlamps, uprooted by Hurricane Katrina in 2005, light up the area as night falls {source}


National Gallery of Canada, Ottawa

October 29th, 2017