”Cosmic Latte, refers to the name of the average color of the universe, which in 2009 was determined to be more beige than what has been traditionally thought of as blue. Two American astrophysicists studied the color of the light emitted by 200,000 galaxies and created a cosmic spectrum, which they then blended according to the light spectrum visible to human eyes. Finch represents that specific warm, yellowish-white shade of light with LED lights (designed to look like incandescent bulbs), which are then arranged in the shape of the molecular models of the pigments needed to create this “cosmic latte” color: titanium white, Mars yellow, chrome yellow, and a touch of cadmium red.” [source]
”North Adams is still an ideal place to live and to bring up children. We have the mountains. In the summertime, it’s not as hot as in the big cities. You have the change of seasons. You can see the change of scenery on the mountains. You see the trees blossoming, which is a beautiful sight. In the wintertime, the woods have a tremendous attraction. There’s a lot of noise in the woods in the winter. You see the footprints of so many animals. Of course, we get accustomed to this and don’t notice it as much. But those people who left North Adams miss the mountains. That’s the first thing they mention when they come back.”
– Benjamin Apkin, 78 years old (1996)
From a series of interviews with local residents, gathered and edited by author and historian Joe Manning
It occupies nearly an acre of specially built interior walls that are installed—per LeWitt’s own specifications—over three stories of a historic mill building situated at the heart of MASS MoCA’s 19th-century, former factory campus. A landmark collaboration of MASS MoCA, Yale University Art Gallery, the Williams College Museum of Art, and the Sol Lewitt estate, over 60 artists and art students spent six months rendering 105 large-scale wall drawings spanning the artist’s storied career.
”Traditionally made by hand with dirt and other organic material such as clay, horse dung, hay, and water, adobe is among the earliest of human building materials. Due to their remarkable strength, sundried structures were extremely durable and functioned as some of the earliest architectural foundations for indigenous communities across the Americas. Adobe construction is still prevalent across the Southwest, a source of both strong and readily available building materials and income for the skilled laborers who use it.
Esparza explores adobe as both material and politics, creating what he has termed “brown architecture:” “My interest in browning the white cube — by building with adobe bricks, making brown bodies present — is a response to entering traditional art spaces and not seeing myself reflected. This has been the case not just physically, in terms of the whiteness of those spaces, but also in terms of the histories of art they uphold” (“Rafa Esparza,” ArtForum, November 21, 2017).”
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