Treasures from Chatsworth

Treasures from Chatsworth: The Exhibition, a rare chance to view some of the pieces comprising the legendary Chatsworth House Collection, was on show at Sotheby’s New York, in 2019.

August 11th, 2019

Laura ad infinitum

Michael Craig-Martin, Digital portrait of Laura, Lady Burlington, 2010. The computerized portrait is live, changing colors every 5 – 15 seconds. The program randomly selects the color and duration of each unique sequence.

The portrait was commissioned by Lord and Lady Burlington, the son and daughter-in-law of the 12th Duke of Devonshire.

Using a black line portrait of Lady Burlington, Craig-Martin’s software divides the image into nine different color areas (hair, skin, lips, eyebrows, etc.). A 52″ monitor projects the portrait, which is vertically mounted to resemble a typical framed painting. The software changes the color of the image every 5 to 15 seconds, but this is no loop – instead, the software is programmed to randomly select the colors and timing of each sequence, resulting in millions of possible image combinations. The result is truly a sight to behold.

Born in Dublin, Ireland, artist Craig-Martin attended the Yale University School of Art before working as a tutor at Goldsmiths College in London; Damien Hirst and Tracey Emin are just two of the many young artists he taught. His work is found in a number of public collections, including the Irish Museum of Modern Art, New York’s Museum of Modern Art, New York, Tate and the Centre Pompidou.

Laura’s portrait was one of the Treasures from Chatsworth: The Exhibition, on show at Sotheby’s New York, in 2019.

August 11th, 2019

Prickles and Tickles

Hugh Hayden || Hedges, 2019
Gabriela Corretjer-Contreras || Llevatelo To’No Me Deje Na, 2019 [detail]
Gabriela Corretjer-Contreras || Llevatelo To’No Me Deje Na, 2019 [detail]
Gabriela Corretjer-Contreras || Llevatelo To’No Me Deje Na, 2019 [detail]
Gabriela Corretjer-Contreras || Llevatelo To’No Me Deje Na, 2019 [detail]
Dorothea Tanning || Evening in Sedona, 1976 || Oil on canvas
Hugh Hayden || Hedges, 2019

Open Call: Group 2 @The_Shed [JUN 19 – AUG 25, 2019]

August 3rd, 2019

It’s all just a love contest || The Shed

Launched as part of The Shed’s inaugural year program, Open Call was a large-​scale commissioning program for early-career NYC-based artists.

Poetry Slot Machine, 2019 || Saint Abdullah and Daniel Cupcic
Poetry Slot Machine, 2019 || Saint Abdullah and Daniel Cupcic

”Poetry Slot Machine rewards participants with poems by 14h-century Persian poet Hafiz instead of the chance winning of money. Participants pull the handle to reveal a set of randomized passages from Hafiz’s poetry, traditionally read for guidance for the future.”

This was my reward.


The Forever Museum Archive: The Untitled/A Template for Portable Monuments, 2019 [detail] || Onyedika Chuke
The Forever Museum Archive: The Untitled/A Template for Portable Monuments, 2019 [detail] || Onyedika Chuke
The Forever Museum Archive: The Untitled/A Template for Portable Monuments, 2019 || Onyedika Chuke

Open Call: Group 2 @The_Shed [JUN 19 – AUG 25, 2019]

August 3rd, 2019

The prison with the best view ever

In Castle Williams, which was built in the early 19th century to protect New York Harbour, then used as a prison during the Civil War, following which the US Army improved the facilities by adding insulation, heating, running water, and, eventually, electricity, and used it as a US Army Prison. In 1915, it was made a branch of the Fort Leavenworth Disciplinary Barracks, of which the prison facility at Alcatraz in San Francisco was also a branch.

When they weren’t admiring the view to Manhattan and New York Harbour, inmates were listening to music from a Victrola (record player) they had purchased with money they had made taking in laundry, or took typing and steno lessons, offered through the Y.M.C.A., likely taught by female volunteers. And, while in Alcatraz, the prisoners had the backbreaking task of building their own cells out of heavy stones, ”hard labour” at Governors Island meant mowing the lawns. There were those that tried to escape, of course, but it was not an uncommon to see soldiers who had gone AWOL surrender themselves outside of the Battery Maritime Building, hoping to be imprisoned at Castle Williams.

Anyway, “Castle Bill”, as it was lovingly called by its residents, remained a branch of the US Army Disciplinary Barracks until Governors Island’s closure as an Army base in 1966. The Coast Guard did not maintain a prison in Castle Williams but readapted it for their own needs by using it as a community center featuring arts and crafts classrooms, a ballet studio, meeting rooms for the Boy Scouts and Girl Scouts, a daycare room, and a teen club.

And when, in 1996 all Military and Coast Guard operations seized, the enlisted men, women and their families that lived on the island year-round departed, living behind them a small town. Since then, the facilities – the island itself, are slowly being converted into a public park.

It still has the best views to Manhattan and New York Harbour.

Info source: nps.gov & govisland.com

Governors Island

July 7th, 2019