Lincoln Kirstein’s Modern – part III

Paul Klee
Actor’s Mask, 1924
Oil on canvas mounted on board

O. Louis Guglielmi
Wedding in South Street, 1937
Oil on canvas

Pavel Tchelitchew
Leaf Children, 1940
Oil on canvas

Bernard Perlin
The Lovers, 1946
Gouache and ink on paper-faced board

Pavel Tchelitchew
Head of Autumn (Study for Hide-and-Seek), 1941
Watercolour and pencil on paper

Edward Hopper
House by the Railroad, 1925
Oil on canvas

Ben Shahn
Willis Avenue Bridge, 1940
Gouache on paper on board

Ivan LeLorraine Albright
Woman, 1928
Oil on canvas

Bernard Perlin
The Lovers, 1946 (detail)
Gouache and ink on paper-faced board

Pavel Tchelitchew
Hide-and-Seek, 1940-1942
Oil on canvas

Elie Nadelman
Man in the Open Air, c. 1915
Bronze

MoMA, Mar-Jun 2019

March 15th, 2019

Lincoln Kirstein’s Modern – part I

Lucian Freud
Portrait of Lincoln Kirstein, 1950
Oil on canvas

Kirstein sat for this portrait while he was in London for a New York City Ballet performance at Covent Garden and to organize the exhibition Symbolic Realism in American Painting: 1940-1950 at the Institute of Contemporary Arts.


Lucian Freud
Portrait of a Woman, 1949
Oil on canvas

Artworks by Pavel Tchelitchew, George Platt Lynes, Paul Cadmus & Jean Cocteau
Pavel Tchelitchew
George Platt Lynes, 1935
Coloured ink on paper

Walker Evans
Lincoln Kirstein, c. 1931
Gelatin silver print

Paul Cadmus
Designs for the ballet Filling Station, 1937
Paul Cadmus
Designs for the ballet Filling Station, 1937
Paul Cadmus
Designs for the ballet Filling Station, 1937
Paul Cadmus
Designs for the ballet Filling Station, 1937
Paul Cadmus
Designs for the ballet Filling Station, 1937

Karl Free
Costume designs for the ballet Pocahontas, c. 1936

Jared French
Costume design for the ballet Billy the Kid, 1938

“I have a live eye,” proclaimed Lincoln Kirstein, signaling his wide-ranging vision. Lincoln Kirstein’s Modern explored this polymath’s sweeping contributions to American cultural life in the 1930s and ’40s. Best known for cofounding New York City Ballet and the School of American Ballet with George Balanchine, Kirstein (1907–1996), a writer, critic, curator, impresario, and tastemaker, was also a key figure in MoMA’s early history. With his prescient belief in the role of dance within the museum, his championing of figuration in the face of prevailing abstraction, and his position at the center of a New York network of queer artists, intimates, and collaborators, Kirstein’s impact remains profoundly resonant today. [source: MoMA]

Lincoln Kirstein’s Modern

MoMA, Mar-Jun 2019

March 15th, 2019

The Young and Evil

From February through April 2019, David Zwirner presented The Young and Evil, a group exhibition featuring significant works from the first half of the twentieth century by Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Jensen Yow, and their circle.

Among them, some works by Pavel Tchelitchew, to which I was particularly drawn.

March 7th, 2019