Skyscrapers & Art

United Nations Grounds

United Nations Grounds, New York City

August 27th, 2019

Geometric Solids

Charlotte Posenenske, Series DW Vierkantrohre (Square Tubes) [Angular pieces], 1967/2018
Lee Ufan, Relatum, 1974/2019
Imi Knoebel, Raum 19 (Room 19), 1968
Robert Smithson, Leaning Mirror, 1969
Donald Judd, Untitled, 1976
Donald Judd, Untitled, 1976
Donald Judd, Untitled, 1991
Donald Judd, Untitled, 1976
Gerhard Richter, Six Gray Mirrors, 2003
Gerhard Richter, Six Gray Mirrors, 2003

Dia:Beacon

July 15th, 2019

Cardboard Yoga

Charlotte Posenenske || Series DW Vierkantrohre (Square Tubes) [Angular pieces], 1967/2018

”Before turning away from art production in 1968 in favor of a career in sociology, Charlotte Posenenske exhibited widely alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt, with whom she shared an interest in seriality. However, her work is distinguished by its radically open-ended nature. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced sculptural Minimalism that addressed the pressing socioeconomic concerns of the decade by circumventing the art market and rejecting established formal and cultural hierarchies.

Mass production and variability are also at the heart of Posenenske’s subsequent works. Series D consists of six shapes in galvanized sheet steel. While these elements resemble standard ventilation ducts, the tubes are nonetheless custom-made according to the artist’s instructions and sketches. Shortly after conceptualizing Series D, Posenenske created Series DW, a variant with only four shapes produced from lightweight corrugated cardboard. A ready-made material, cardboard nonetheless represents a departure from the aesthetics of the steel tubes, which are in effect almost indistinguishable, in form and provenance, from the functional elements that they refer to. Larger but more manageable than their sharp-edged steel counterparts, the Series DW components are also easier to manipulate.” [source]

Dia:Beacon

July 15th, 2019

All Eyes and Ears

Tal Streeter || Endless Column, 1968 || Painted steel
David Smith || Portrait of a Lady Painter, 1954/1956–57 || Bronze
Siah Armajani || Gazebo for Two Anarchists: Gabriella Antolini and Alberto Antolini, 1992 ||
Painted steel and wood
Anarchist # 1
Anarchist # 2
Alexander Liberman || Adam, 1970 || Painted steel
Louise Bourgeois || Eyes, 2001 || Bronze, silver nitrate patina, and electric lights
Mark Dion || Brontosaurus, 2016 (detail) || Mixed media installation
Ionic Columns, circa 1834, originally part of the Armstrong Mansion at Danskammer Point, New York

Storm King Art Center is a 500-acre outdoor museum located in New York’s Hudson Valley, where visitors experience large-scale sculpture and site-specific commissions under open sky. Since 1960, Storm King has been dedicated to stewarding the hills, meadows, and forests of its site and surrounding landscape. Building on the visionary thinking of its founders, Storm King supports artists and some of their most ambitious works. Changing exhibitions, programming, and seasons offer discoveries with every visit. [source]

Storm King Art Center, New Windsor, NY

July 13th, 2019