



Jaume Plensa’s monumental portrait Behind the Walls & Nick Cave’s oversized bronze gramophone growing from his raised fist, suggesting the power to activate change.
Part of Frieze Sculpture (2019) @Rockefeller Center
June 7th, 2019




Jaume Plensa’s monumental portrait Behind the Walls & Nick Cave’s oversized bronze gramophone growing from his raised fist, suggesting the power to activate change.
Part of Frieze Sculpture (2019) @Rockefeller Center
June 7th, 2019
@The_Metropolitan_Museum_of_Art






June 1st, 2019


Astronomers Monument is a product of the great economic depression of the 1930s, when New Deal initiatives created federally-funded work programs to employ skilled workers at a time when they would otherwise remain idle and without income. One of the first of these programs, the Public Works of Art Project (PWAP), began in December 1933. Soon thereafter, in cooperation with the Los Angeles Park Commission, PWAP commissioned a sculpture project on the grounds of the new Observatory (which was under construction).
Using a design by local artist Archibald Garner and materials donated by the Womens’ Auxiliary of the Los Angeles Chamber of Commerce, Garner and five other artists sculpted and cast the concrete monument and figures. Each artist was responsible for sculpting one astronomer; one of the artists, George Stanley, was also the creator of the famous “Oscar” statuette. The other artists involved were Arnold Forester, Djey el Djey, Gordon Newell, Roger Noble Burnham.
The six astronomers featured on the monument are among the most influential and important in history. The six figures represent the Greek astronomer Hipparchus (about 125 B.C.), Nicolaus Copernicus (1473-1543), Galileo Galilei (1564-1642), Johannes Kepler (1571-1630), Isaac Newton (1642-1727), and John Herschel (1738-1822). Albert Einstein was considered for inclusion, but planers ultimately decided it would be inappropriate to feature someone still alive (the monument was completed in 1934; Einstein died in 1955). [sources: The Living New Deal & Griffith Observatory]
May 10th, 2019
Similar expressions, millenia apart.

Belisarius (about 505-565) was a Byzantine general whose military prowess was envied by the emperor Justinian, who banished and allegedly blinded the general. The subject was popular among French eighteenth-century writers and artists, both as political allegory and as a means of depicting the pathos of a fallen hero. Stouf skillfully rendered the crinkled skin around the eyes, the sunken cheeks, and the luxuriant curls of the beard and hair with a subtlety that belies the challenge of carving stone.


Belisarius at the Getty Center || James Dean at Griffith Observatory
Los Angeles
May 10th, 2019









”Flavin’s work generates ambient light that reaches into the viewer’s space. The form, resembling a skyscraper, refers to a never-realized, but nonetheless influential, monument to an organization supporting Communist revolution designed by the Russian constructivist artist Vladimir Tatlin in 1920. It was to be a spiraling steel framework thirteen hundred feet tall in which rotating glass rooms would be suspended. Though utterly impractical engineering-wise, it remains an influential symbol of the artist’s efforts to combine art and technology. Flavin’s “monument,” despite its low-tech, small-scale nature, pays homage to Tatlin’s futuristic, utopian ideals.” [source: MOCA]







The Museum of Contemporary Art, Los Angeles
May 9th, 2019
Keep going, nothing to see here…



Giant Binoculars is a 1991 sculpture by Claes Oldenburg & Coosje van Bruggen. The building that surrounds them, known – you guessed it – as the ”Binoculars Building”, is a Frank Gehry design.
Venice, Los Angeles
May 8th, 2019
And a pleasant surprise, as we wandered through the galleries of LACMA, those ones that remained open during the museum’s extensive renovation and expansion. The surprise was finding out that Magritte’s ”Ceci n’est pas une pipe” belongs to LACMA; for some reason, I was convinced it would belong to the permanent collection of the Magritte Museum in Brussels. What a fittingly surreal connection between my two favourite cities in the world!


















Los Angeles County Museum of Art (LACMA)
May 7th, 2019


Staff Sergeant Petry, born in Santa Fe on July 29, 1979.
April 27th, 2019













[Unless otherwise captioned] Children in Bronze by L’Deane Trueblood @Meyer Gallery
Santa Fe, NM
April 27th, 2019






April 27th, 2019
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