A Heavenly Garden

Of Earthly Delights

Dolce & Gabbana
”Penelope” wedding ensemble, S/S 2013


Valentino
Evening dress, S/S 2014


Undercover, Jun Takahashi
Ensembles, S/S 2015, printed with iconography from Hieronymus Bosch’s triptych ”The Garden of Earthly Delights”


House of Dior
Raf Simons, Evening dress, A/W 2015-16
A more abstracted interpretation of Hieronymus Bosch’s painting ”The Garden of Earthly Delights”


Valentino
Evening Dress, A/W 2015-16


Jean Paul Gaultier
‘Lumiere’, Evening ensemble, S/S 2007


Steinunn Thorarinsdottir
Armors, 2016-2018


Rick Owens
Ensemble, A/W 2015-16.
With a pee(p) hole at the crotch, Owens’ playful,  subversive ”habit” evokes the popular literary stereotype of the lecherous, debauched and scandalous medieval monk, satirized by Geoffrey Chaucer in ”The Canterbury Tales” (1387-1400).


The Cloisters, Fort Tryon Park

July 14th, 2018

Ascetic Opulence

From over the top opulence to extreme modesty and back. Fashion is inextricably connected to human nature. To understand the former, you may want to start deciphering the latter first.

Spinario (Boy Pulling a Thorn from his Foot)
Bronzse, partially gilt hair and silvered eyes
Antico (Pier Jacopo Alari Bonacolsi)
probably modeled by 1496, cast. ca. 1501


Seated Paris
Bronze statuette, partially gilt and silvered
Antico (Pier Jacopo Alari-Bonacolsi)
Mantua, ca. 1500


Christian Lacroix
”Gold-Gotha” ensemble, A/W 1988/89


Gianni Versace
Evening top, A/W 1991-92


Gianni Versace
Evening top, A/W 1991-92


Gianni Versace
Jacket, A/W 1991-92


Jean Paul Gaultier
”Surprise de l’Icine” ensemble, A/W 1997-98


Dolce & Gabbana
”Idamante” ensemble, S/S 2016


Dolce & Gabbanna
”Angelica” ensemble, S/S 2016


From the Heavenly Bodies exhibiton, held @The Met in 2018

July 14th, 2018

In Pieces

Man & Art


Artwork (with a slightly more elaborate title), by Mariechen Danz:

The Dig of No Body (soil sample), 2018
Copper, plaster, bronze, ground glass, resin, soil, cement, shells, plastic trash, clay, marble, horn, steel, sand, semi-precious stones, wood, aluminium, Coal, Steel base

Art on the Highline

July 8th, 2018

Nick Cave || The Let Go

Nick Cave’s wearable mops soundsuits invaded the entire ground floor of the Park Avenue Armory. When they started dancing, they were mesmerizing.

Nick Cave’s Soundsuits are wearable sculptures that combine performance and textile art. They are named for the noise Cave’s first suit made, when he wore it and started dancing around. They are often made from found objects and cover the wearer completely, so as to mask their identity.  The inspiration for the first Soundsuit, created in 1992, was the brutal beating of Rodney King. Since then, Cave has created over 500 Soundsuits.

Park Avenue Armory – The Let Go

June 24th, 2018

Chihuly Garden & Glass

Enter the intricate, fragile world of Dale Chihuly – or, to be fair, the world of a small army of designers, glassblowers, sculptors and assemblers, working under the ”Chihuly” umbrella. Let’s take a moment to appreciate and recognize their work, even if we will never see their names in the credits.

It wasn’t the first time I saw a large ”Chihuli” exhibition, such as this. In October 2017, I had the chance to enjoy this immense work of glass making, in a truly magical setting: the New York Botanical Garden, in the Bronx. The gardens remained open in the evening and the sculptures, scattered all over the gardens and conservatory, were illuminated. The result was spectacular. There are several posts about that exhibition, the most popular being Into the Night”.

Seattle, WA

June 15th, 2018

 

The Narrow Face

Echo, 2011
Jaume Plensa

Jaume Plensa’s sculpture Echo is named for the mountain nymph of Greek mythology who offended the goddess Hera – she kept her engaged in conversation and prevented her from spying on one of Zeus’ amours. To punish Echo, Hera deprived the nymph of speech, except for the ability to repeat the last words spoken by another. The sculptor created this monumental head of Echo with her eyes closed, seemingly listening or in a state of meditation.

Another work by Jaume Plensa: Crown Fountain, in Chicago

2801 Alaskan Way, Seattle, WA

June 15th, 2018

The way we hammer art

without a nail

Jonathan Borofsky’s Hammering Man was installed right in front of the Seattle Art Museum, in 1991. Hammering Man is a series of monumental sculptures situated in different cities and was created in honour of the working class women and men of the world.


Daedalus/Upliftment, 2016
Acrylic, gold leaf, spray paint on canvas
Fahamu Pecou


Double Elvis, 1963/1976
Silkscreen in, synthetic polymer paint on canvas
Andy Warhol


Caterpillar Suit 1, 2007
Anodized brass wire
Walter Oltmann


Untitled, 1982
Acrylic, spray paint and oil stick on canvas
Jean-Michel Basquiat


Warhol/Basquiat, NYC August 1986
wowe (Wolfgang Wesener)


Birdcage
Wood, metal, ivoyr
Late Qing dynasty (1644-1991) or Republican period (1850-1920)


Leda and the Swan, probably after 1915 and before 1923
Oil on canvas
John Covert


Morning, probably 1933
Oil on burlap
Morris Graves

Morning is a deeply affecting image of retreat, of the pain of facing the light, of the fear of facing the day.


Catfish clan figure, 19th-20th century
Wood, polycrhome
Melanesian, Papua New Guinea, Guam River Region, probably Breri or Igana people


Seattle Art Museum

June 15th, 2018