Woman in White

wpimg_20160827_153029
Pablo Picasso, Woman in White, 1923, oil on canvas

Picasso’s Woman in White is a masterpiece of his Neoclassical Period, which lasted from 1918 to 1925. Here, the artist depicts a seated figure as a dreamlike vision of fragile perfection and refinement. He achieves this effect through the application of several layers of white wash and superimposed contours in soft shades of brown and gray. As in many of his other figures of the period, the idealized treatment of her facial features reflects Picasso’s study of classical art. Her informal pose, along with the loose-fitting, almost diaphanous dress, gives the figure a gentle and relaxed air. The muted color scheme adds a romantic and pensive tone.

On view at The Metropolitan Museum of Art.

It is such exquisite examples of his work that remind me what a superb artist Picasso really was.

August 27th, 2016

M x M – The Threasome

The ”New” looking towards the Future

wpimg_20160827_143805
House of Dior & Paco Rabanne

A touch of kinkiness

wpimg_20160827_145640
Alexander Mc Queen

Generations of timeless elegance

wpimg_20160827_144557
House of Chanel

From the ”Manus x Machina: Fashion in an Age of Technology” exhibition, at The Met.

August 27th, 2016

M x M – The Pleats

wpimg_20160827_143147

wpimg_20160827_143215

wpimg_20160827_143335

Never before had I been so close to so many Mariano Fortuny dresses. It took a real effort to restrain myself from reaching out to touch them.

Hand-pleated and hand-sewn using the unique Mariano Fortuny technique, a process which the maître guarded zealously all his life and which remains a mystery to this day.

From the ”Manus x Machina: Fashion in an Age of Technology” exhibition, at The Met.

 

August 27th, 2016

M x M – The Whites

wpimg_20160827_134116
House of Chanel, Karl Lagerfeld Wedding Ensemble, A/W 2014-15, haute couture. Manus & Machina. Made from scuba knit, a synthetic material, the dress is hand molded, machine sewn and hand finished.
wpimg_20160827_140053
M x M
wpimg_20160827_142956
Iris van Herpen, Ensemble, S/S 2010, haute couture, 3-D printed with machine-sewn white goat leather, hand-cut acrylic fringe
wpmg_20160827_140819
House of Chanel, Karl Lagerfeld, Wedding Ensemble, A/W 2005-6, haute couture. Made by hand from start to finish, covered entirely with flowers. Despite the sense of ethereal case, the artificial flowers, embroidery and featherwork together required seven hundred hours of handwork.
14100538_10210747359987091_1002678504928241634_n
Irish Wedding Dress, ca. 1870. Hand-crocheted cream cotton lace with three-dimensional motifs, including roses, lilies of the valley, hanging fuchsias, morning glories, buds and berries, and flat and folded leaves and ferns. Incomparable!

From the ‘Manus x Machina: Fashion in an Age of Technology” exhibition, at The Met.

The skill, the superb craftsmanship

The artistry, the stitching, the minute attention to detail

The hours of work, the zealousness, the passion, the tears

The vision

Integrating modern technology into fashion and using it to transform garments into wearable sculptures

The fun trying to tell Manus from Machina and failing

The joy in being free to photograph

Simply Sublime

August 27th, 2016 at The Met