The arrangement of objects on the floor (second image) is a sculpture by Richard Serra: Cutting Device: Base Plate Measure, 1969.
The artist took rolled lead sheets, wood beams, marble slabs, and steel piping, and then used a saw to slice them through. The objects were then arranged on the floor as they appeared directly after having been cut.
The row of framed prints on the wall show VALIE EXPORT, photographed by Peter Hassmann for her signature work Action Pants: Genital Panic, 1969.
<<This series of screenprints relates to a performance in which EXPORT reportedly walked into an experimental art-film house in Munich wearing crotchless trousers and a tight leather jacket, with her hair teased wildly, and roamed through the rows of seated spectators, her exposed genitalia level with their faces. Challenging the public to engage with a “real woman” instead of with images on a screen, she illustrated her notion of “expanded cinema,” in which the artist’s body activates the live context of watching. EXPORT’s defiant feminist action was memorialized in a picture taken the following year by the photographer Peter Hassmann in Vienna. EXPORT had the image, in which she holds a machine gun, screenprinted in a large edition and fly-posted it in public squares and on the street.>>
MoMA, From the Collection, 1960 – 1969.
January 30th, 2017