The Woodner Collections: Master Drawings from Seven Centuries

Sheer delight continued with the discovery of these masterpieces dating from the 14th to the 20th century.

Beham, Sebald, 1500 – 1550, Cimon and Pero (1540), pen and black ink with charcoal heightened with white on heavy laid paper

The story of Cimon and Pero was told by the first-century historian Valerius Maximus in his Memorable Deeds and Sayings. Imprisoned without food or water, the aged Cimon was saved from death by the visits of his daughter Pero, a young mother who nourished him with breast milk. Pero’s selfless act, which came to be known as ”Roman charity”, was regarded as a model of filial piety.

Niccolò dell’Abbate, 1509 or 1512-1571, The Rape of Ganymede (c. 1545), pen and ink with wash and watercolour over traces of chalk, heightened with white on paper washed light brown

Ganymede was a handsome shepherd who was carried off by Zeus (shown here in the form of an eagle) to become cupbearer to the Gods. The youth is usually shown nude or in classical dress, but here he wears the elegant costume of a sixteenth-century courtier.

Federico Barocci, probably 1535-1612, Head of a Bearded Man (1579/1582), chalks on blue paper
Luca Signorelli, 1445/1450 – 1523, Bust of a Youth Looking Upward (c. 1500), chalk, partially indented with a stylus
Andrea del Sarto, 1486-1530, Head of Saint John the Baptist (c. 1523), chalk
Jean-Baptiste Greuze, 1725-1805, Bust of an Old Man, probably 1763, chalks with stumping, wetting and erasure

After completing a painting, Greuze often made finished drawings of the heads of some of the individual figures. These ”têtes d’expression” (expressive heads) were intended to be sold and appreciated as independent works of art. 

Jean-Auguste-Dominique Ingres, 1780-1867, Mademoiselle Mary de Borderieux (?), 1857, graphite and watercolour with white highlights
Edgar Degas, 1834-1917, Self-Portrait, c. 1855, chalk
Pablo Picasso, Spanish, 1881 – 1973, Two Fashionable Women, 1900, charcoal
Henry Fuseli, 1741-1825, Satan Defying the Powers of Heaven, late 1790s, graphite, chalk and wash

National Gallery of Art

”Washington, DC—Ian Woodner assembled an extraordinary collection of over 1,000 old master and modern drawings, making him one of the 20th century’s most important collectors. More than 150 works from his collection now reside at the National Gallery of Art in Washington. While Ian Woodner gave some works himself in the 1980s, the majority have been donated by his daughters, Dian and Andrea. His daughters have also made other gifts and have pledged works from their personal collections. The Woodner Collections: Master Drawings from Seven Centuries brings together for the first time the best of Ian Woodner’s collection with some of the works given and promised by Dian and Andrea Woodner. […] 

Some 100 drawings dating from the 14th to the 20th century are presented in an exhibition of masterworks donated by one of the great connoisseurs of the 20th century, Ian Woodner, and his daughters, Dian and Andrea. The Woodner Collections includes drawings executed by outstanding draftsmen such as Leonardo da Vinci, Albrecht Dürer, Raphael, Jean-Auguste-Dominique Ingres, Edgar Degas, and Pablo Picasso, among many others.”

They were on view in the West Building of the National Gallery of Art through July 16, 2017.

April 25th, 2017

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