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Costume Design by Léon Bakst for Vaslav Nijinsky in the Role of Iksender in the Ballet “La Péri” (The Flower of Immortality), 1922 (first performed in Paris, 1912). Watercolour and gold and silver paints over graphite
With his distinct Eurasian features, Nijinski effortlessly portrayed protagonists of various ethnicities, such as Iksender in La Péri, set in Iran. However he never actually performed as Iksender, because Diaghilev cancelled the entire production when Nijinski’s female counterpart could not match his talent in dance.
‘Fantaisie sur le costume moderne‘: Two female haute couture figures, 1910. Graphite, brush and watercolour and gouache
Although better known for his costume and stage designs for the Ballets Russes directed by Diaghilev and the performances of Ida Rubinstein, Bakst was also influential in fashion design during the early decades of the 20th century, and designed garments himself. The designs in this drawing show the bold, sensuous colour, characteristic of his style, with geometric patterns and rich textures.
Costume Design for a Woman from the Village, for the Ballet ‘Daphnis and Chloé‘, performed at the Théâtre du Châtelet in Paris, 1912. Watercolour and graphite
This ballet by Fokine was first performed at the Théâtre du Châtelet in Paris in 1912, as part of the repertoire of the Ballets Russes for the season. The costume designs for the ballet were inspired by Ancient Greece, and Bakst drew inspiration from ancient vases, both for the costumes and the poses and movements of dancers
4/Ida’s stylish fans in mutual admiration.
Mme Ida Rubinstein, 1917. Watercolour, gouache, and graphite on paper, mounted on canvas
Bakst was a gifted portrait artist and captured the likeness of many of his friends and colleagues. In this almost life-size watercolour, he depicts the Russian heiress Ida Rubinstein, who danced with the Ballets Russes for two seasons after an introduction by her teacher, the choreographer Mikhail Fokine.
Design for the Set of the Ballet ‘Narcisse’, premiered at the Théâtre de Monte Carlo, 1911. Watercolour, gouache, and charcoal
Bakst designed this impressive decor for Narcisse, a one-act ballet about the Greek mythological figure Narcissus, who falls in love with his own reflection in a pool of water. The story is set at the shrine of Pomona, a mythological goddess associated with the abundance of nature. The rich green landscape Bakst created echoes the sensibilities of the Art Nouveau style.
Images from ”Performance as Escape: Léon Bakst and the Ballets Russes”, an exhibition featuring a small selection of costume and set designs by Léon Bakst for the Ballets Russes, we happened upon on our way to The Met’s 2017 blockbuster, Rei Kawakubo/Comme des Garçons: Art of the In-Between.
You can see photos from that show, in nine sections, by going to the Search button at the end of the page and simply typing ”Rei Kawakubo”.
August 6th, 2017