Charline von Heyl: Snake Eyes

The Language of the Underworld || 2017 || Acrylic and charcoal on linen
Moky || 2013 || Acrylic, oil, and charcoal on linen
Lady Moth || 2017 || Acrylic and charcoal on linen
Mana Hatta || 2017 || Acrylic and charcoal on linen
Solo Dolo || 2010 || Acrylic, oil, and charcoal on linen
P. || 2008 || Acrylic, charcoal, and pastel crayon on linen

The largest US museum survey of this pioneering artist to date, Charline von Heyl: Snake Eyes featured more than thirty large-scale paintings that revealed the artist’s considerable influence in the field of contemporary art.

One of the most inventive artists working today, von Heyl has earned international acclaim for continually rethinking the possibilities of contemporary painting. Her cerebral yet deeply visceral artworks upend longstanding assumptions about composition, beauty, and narrative. Drawing inspiration from a vast and surprising array of sources—including literature, pop culture, metaphysics, and personal history—von Heyl creates paintings that are seemingly familiar yet impossible to classify, offering, in her words, “a new image that stands for itself as fact.”

In studios in New York and Marfa, Texas, von Heyl combines a rigorous, process-based practice that demands each painting develop through the act of painting itself. The spellbinding results invite viewers to explore a unique visual language that is both exuberant and insistent.

Snake Eyes ran at The Hirshhorn from November 2018 to April 2019.

March 18th, 2019

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