Just the end of our walk in one of the largest art museums of contemporary art we’d seen so far, one that leaves breathing space for the art to expand and feel totally at home, as if it were borne to be there.
François Morellet, “No End Neon,” 1990/2017
Louise Bourgeois, Crouching Spider, 2003.
Robert Smithson, Map of Broken Glass (Atlantis), 1969
July 15th, 2019