Yuja Wang, in an unforgettable recital. It would be our last pre-Covid-19 one.
“I believe that every program is a living organism, so it should be in sync with how I’m feeling in that moment, so it is truly alive. I want the music to surprise me and to surprise the audience” – said Miss Wang as she entered the stage, and she proceeded to do just that, changing the sequence of the printed programme and keeping the audience hanging from every move of her flying fingers hitting those notes, for the next two hours.
Inheritance, by Tawny Chatmon (American, b. 1979), invites the viewer to look beyond the decorated and nuanced portraits to examine issues of race and the historical positioning of African American portraiture in the absence of subjugation of the “black body” in Western art.
Chatmon, a mother of three black children, draws from her life experiences and belief that children inherit our memories, beliefs, traditions, and the world that we leave behind. Through her photographs, she conveys a message to her children, and to all black children, that they are precious, valued, and loved.
While the camera is her primary tool of communication, Chatmon takes a multi-layered approach in producing her photographs—her process does not subscribe to conventional photography. The photographs are often manipulated and hand-embellished with acrylic paint and 24-karat gold leaf, inspired by Gustav Klimt’s (1862-1918) “Golden Phase.” The use of gold and ornamentation in Klimt’s work evokes feelings of grace, magnificence, and beauty within Chatmon and has remained in the artist’s consciousness. These are the emotions Chatmon seeks to convey to those viewing her photographs. Her portraits are staged vignettes with models, who at times are her own children wearing elegant garments. Chatmon experiments with various art practices and does not restrict herself to follow any set of rules, allowing her to create instinctually and fluidly. The result is a beautiful and powerful iconography that speaks to “the disparities that continue to affect black people around the world.” [source]
The Mercer Museum is a six-storey reinforced concrete castle designed by Henry Mercer (1856-1930), completed in 1916. Henry Mercer was a child of Doylestown who, having started his professional life as a lawyer, went on to become an archeologist, historian, avid collector, dog lover and a successful tile-designer.
By 1897, Mercer realised that handmade objects were being discarded in favour of new machine-made ones, and felt the need to collect and preserve them, and with them, parts of the daily life in America before the Industrial Revolution. He gathered almost 30,000 items ranging from hand tools to horse-drawn vehicles and, in 1913, began working on plans to build a museum to house his huge collection and share it with the world.
Among the oldest artifacts in the Mercer Museum are a 2,000 year old whale oil lamp and Native American implements dating to 6,000-8,000 BC.
This work, part of the James Michener Museum collection, was created to honour Holocaust survivors and those who risked their lives to protect them from the Nazis during WWII. In all honesty, I didn’t mind the ephemeral intervention (by an unknown ‘artist’) – on the contrary, I thought it was harmless, and quite endearing.
Free listening and free download (mp3) chill and down tempo music (album compilation ep single) for free (usually name your price). Full merged styles: trip-hop electro chill-hop instrumental hip-hop ambient lo-fi boombap beatmaking turntablism indie psy dub step d'n'b reggae wave sainte-pop rock alternative cinematic organic classical world jazz soul groove funk balkan .... Discover lots of underground and emerging artists from around the world.