




Chihuly Nights, New York Botanical Garden
October 14th, 2017
Colours of silence shine
body and soul tranquil
stillness divine

Float Boat, 2014
Koda Study #1 & #2, 2017
Chihuly Nights, New York Botanical Garden
October 14th, 2017
Of the perfect synergy between man and nature that makes it possible to create such exquisite, delicate, fragile things of beauty out of mere grains of sand.
Of the teamwork between artists, technicians, designers, gardeners, landscape architects and light engineers that made this exhibition such a success.
Of the New York Botanical’s readiness to replant large parts of the Gardens to complement the glass sculptures and make them look like they were grown together organically, in perfect harmony.
Of the way the sculptures glow in the dark and become alive, like mystical creatures.
Blue polyvitro crystals, 2016
Glass sculptures by Dale Chihuly in The Lillian Goldman Fountain of Life, 1905



Sapphire Star, 2010
Glass sculpture by Dale Chihuly
Chihuly Nights, New York Botanical Garden
October 14th, 2017
Just the one for this week because, in this house, we make our own rules (as all artists should…).

#inktober2017_week 2
artwork by Konstantinos Implikian

W 44th St.
October 7th, 2017
Watching the boats sail by_#mind_yoga #meditation #healing



From Fort Lee Historic Park
New Jersey
February 19th, 2017

George Washington Bridge
February 19th, 2017
Allow two hours to cross to New Jersey and back – extra time for walks in Fort Lee Historic Park, for more views of the river and Manhattan that will test your sense of scale. If you’re lucky, you may even make some new friends among the permanent residents of the Park.







Sidewalks are shared by pedestrians and bikes. Construction projects may affect which side is open. Info about this and directions to the sidewalks can be found here.
February 19th, 2017
Or subway meditation. Had there been a Brian Eno ”Music for Subways” composition this – I imagine – would have been the effect.

New York City Subway
February 18th, 2017
Three old friends and a neighbor. A summer of afternoons in the backyard. Lingering sunshine and inevitable darkness.
Caryl Churchill, one of Britain’s greatest living playwrights, returns to BAM for the first time in 15 years with this by-turns hilarious and unsettling daydream. Directed by Churchill’s frequent collaborator James Macdonald (Cloud Nine; Love and Information; John Gabriel Borkman, Spring 2011), with startling performances from Linda Bassett, Deborah Findlay, Kika Markham, and June Watson, Escaped Alone is doomsday in a teapot, a calmly revolutionary vision of looming collapse.
No, doomsday in a teapot was not meant to be that Saturday evening. The play had already begun and Mrs Jarrett – played by the courageous Mrs Linda Bassett – had already joined the three other ladies in the garden that sat behind the fence. But, as the conversation picked up, Mrs Bassett stood up and walked off stage, calmly, naturally as if it was part of the play. Only Mrs Bassett had been feeling unwell that day but had decided to go on with the show hoping she would manage to make it through. She didn’t, despite her strong will and professionalism; Mrs Bassett could not go on. And neither could the show.
The management offered refunds or rebookings to one of the following days and the play went ahead as scheduled. We missed it only because of a planned trip, our first away from the City since the day we arrived.

Escaped Alone, BAM
February 18th, 2017
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