Cylinders ⇓

Cones ⇓
Zigzags ⇓
Hudson River Greenway
June 10th, 2017
Cylinders ⇓

Cones ⇓
Zigzags ⇓
Hudson River Greenway
June 10th, 2017
The exhibition in Chelsea featured two new Infinity Mirror Rooms, one which could be seen through a peephole (below) and another, where the viewers could walk in (from which yesterday’s ”teaser” photos). There was also a red and white polka-dotted space and a larger one featuring sixty-six paintings from the artist’s iconic My Eternal Soul series and three large-scale flower sculptures.
Immerse into Yayoi Kusama’s mesmerizing, beautiful chaos. You may even discover a kind of order behind this explosion of colour, this pandemonium of patterns and shapes, this sensory overload.
After a while, it all starts to make sense.












Festival of Life ran through a limited time only, in David Zwirner Chelsea concurrently with an exhibition of Kusama’s new Infinity Nets paintings, in their uptown location. We never made it to the latter.
December, 6th 2017
Preparing the ground for tomorrow’s sensory overload. 

An Infinity Mirror Room, from a past exhibition (through December 22, 2017) at David Zwirner gallery, in Chelsea.
December, 6th 2017
Taking the greens out of the blues.
From the High Line, 19th St.
November 12th, 2016
Inspired by a letter penned by a concerned citizen. Received at work, in the ”letters from the public” box; that is usually where randomly addressed letters with all kinds of bizarre requests are received, a kind of spam mailbox but with actual pen and paper letters.
A sane citizen’s plea in these insane times. Worth noting that it was sent just a few days before the U.S. withdrawal from the Paris Agreement. 
June 6th, 2017

10th Avenue
November 24th, 2016
This isn’t art…. it is a crime scene…! – exclaimed a woman close beside me as I was taking photos. That may have been the most accurate description of this installation, yet!

On the chillier side of wanderlust, part of the High Line Art commissions.
November 12th, 2016
My title, not the artist’s. The artist left it untitled so I thought, what if I call it ”Rain of Light”, isn’t it more fitting? Presumptuous may be, but it was the first thing that came to mind when I saw it illuminating the stairwell, making it an integral part of the museum rather than a solely utilitarian feature. I instantly thanked myself for choosing to take the stairs instead of the lift.


Felix Gonzalez-Torres
”Untitled” (America), 1994
Twelve light strings, each with forty-two 15-watt lightbulbs and rubber sockets, at the stairwell of The Whitney Museum of American aRt.
September 10th, 2016
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