Puppy’s First Birthday

*Recent Resident Posting* (September 2018) on the bulletin board of my building’s website:

Title: Puppy’s First Birthday Party Meet-up

Hi guys! My chihuahua is turning one and I’m throwing her a party this Saturday 9/22 at 11am in Washington Square Park! Check out the attached facebook event link. It would be awesome to see some familiar faces there and just let our dogs have fun! Please text me with any questions (number deleted). RSVP on Facebook or text me so I know how many party favors to bring. 🙂

**

Photos from a walk in Hell’s Kitchen. It was not the same man but it could well have been…

August 12th, 2017

Take me to Church*

The City may be celebrating the most wonderful time of the year but December usually finds me exhausted, ready for hibernation, in absence of which a fair amount of introspection will have to do. One more year has just been added into my bag of experiences and, amazing it has been, I feel the weight. It was perhaps a cosmic coincidence or I was just subconsciously seeking to get into the ”Christmas Spirit” rather than sinking deeper into my ”Christmas Blues” that brought me to church not once, but three times this month. As an atheist, church is not part of my usual routine, but a sequence of seemingly unrelated events managed to get me there – thrice.  Emphasis added on ”seemingly”, because all three events had something in common: music & song. Ethereal, transcendent, lyrical, divine song.

First, it was Ambient Church:

Group Immersions into modern contemplative and devotional music through site-specific audio and visual performance // is their Facebook statement and I couldn’t describe it better.

In celebration of 25 years of American ambient label Kranky, this nomadic audiovisual experience traveled to four cities – Portland, Los Angeles and Chicago, before coming to St. Ann & the Holy Trinity  (est.1847) in Brooklyn Heights, on December 15th. The headliner was progressive power trio of Brooklyn Forma but my personal luminary of the night was Christina Vantzou, a Kansas City, Missouri born composer and filmmaker of Greek descent based (of all places) in Brussels, Belgium.

You can listen to Christina’s dreamy, abstract music on her website and her latest work, album No. 4 here.

Then, on December 22nd, came Paul Winter’s 39th Annual Winter Solstice Celebration, a multi-media event featuring musicians, vocalists and the 25 dancers and drummers of the Forces of Nature Dance Theatre. This annual phantasmagoria, which I’ve only just discovered, aims to offer a contemporary take on ancient solstice rituals, when people gathered together on the longest night of the year to welcome the return of the sun and the birth of the new year. The mere fact that it takes place in the largest cathedral in the world, makes it an unforgettable experience, albeit a bit overwhelming, in my view. Except for the howling – that was awesome. Click on the video below, to listen.

Finally, on Christmas eve, there was caroling in Gramercy Park. Where, once a year for a single hour, the exclusive park normally open to a small circle of key holders only, welcomes everyone with open doors and Christmas Carols sang by the choir of Calvary-St. George’s Church, a choir so melodic we had to follow them to their next round at the Christmas Eve Service, inside the church. I thought we would stay for a couple of songs, then leave quietly. Instead, we stayed for the whole service in what became one of the most uplifting experiences we could possibly hope for, this Christmas. Which goes to demonstrate that when religion is inclusive rather than imposing, and the church keeps up to date and young, it can only gain – if not devotees, at least a couple of new friends. 

*Title borrowed from Hozier’s homonym song.

Christmas Eve 2018

And the winner is…

(Unsurprisingly) Bergdorf Goodman!

There should be an ”International Awards for Shop Xmas Windows” ceremony somewhere, if only to affirm that outdoing this B&G extravaganza is practically impossible. Except of course by B&G, who are somehow outdoing themselves every time! Hard to believe one can actually buy some of these items inside (I could probably afford a small box of macarons from Ladurée)…

Manhattan, 5th Avenue

December 9th, 2017

What’s Happening…?

… I hear you ask. The City has been hit, once again, by a jolly wave of Christmas Fever. There are parties and ice sculptures, young Santa wannabes and grumpy valet Snowmen, tea and sympathy (and cookies) with curious Creatures, Christmas trees in public spaces, earworm inducing sugary tunes and lights – zillions of dazzling lights everywhere!

HAPPY HOLIDAYS EVERYONE! 

December 24th, 2018

The Titan’s Goblet

One of my favourite paintings, is on view @The_Met. Both mythical and realistic, surreal yet, somehow, familiar. I feel like it would take me many moon phases – or may be forever – to complete a full circle around the lush wooded rim. I feel like I’ve been there many times before; I go there often – in my dreams. Almost always in twilight, instances before it turns completely dark.

The Titan’s Goblet, 1833
Thomas Cole (1801–1848)
Oil on canvas

August 6th, 2017

Bakst-[age] @The_Met

Looking for Rei…

1/
Costume Design by Léon Bakst for Vaslav Nijinsky in the Role of Iksender in the Ballet “La Péri” (The Flower of Immortality), 1922 (first performed in Paris, 1912). Watercolour and gold and silver paints over graphite

With his distinct Eurasian features, Nijinski effortlessly portrayed protagonists of various ethnicities, such as Iksender in La Péri, set in Iran. However he never actually performed as Iksender, because Diaghilev cancelled the entire production when Nijinski’s female counterpart could not match his talent in dance.

2/
Fantaisie sur le costume moderne‘: Two female haute couture figures, 1910. Graphite, brush and watercolour and gouache 

Although better known for his costume and stage designs for the Ballets Russes directed by Diaghilev and the performances of Ida Rubinstein, Bakst was also influential in fashion design during the early decades of the 20th century, and designed garments himself. The designs in this drawing show the bold, sensuous colour, characteristic of his style, with geometric patterns and rich textures.

3/
Costume Design for a Woman from the Village, for the Ballet ‘Daphnis and Chloé‘, performed at the Théâtre du Châtelet in Paris, 1912. Watercolour and graphite

This ballet by Fokine was first performed at the Théâtre du Châtelet in Paris in 1912, as part of the repertoire of the Ballets Russes for the season. The costume designs for the ballet were inspired by Ancient Greece, and Bakst drew inspiration from ancient vases, both for the costumes and the poses and movements of dancers

4/Ida’s stylish fans in mutual admiration.

5/
Mme Ida Rubinstein1917. Watercolour, gouache, and graphite on paper, mounted on canvas

Bakst was a gifted portrait artist and captured the likeness of many of his friends and colleagues. In this almost life-size watercolour, he depicts the Russian heiress Ida Rubinstein, who danced with the Ballets Russes for two seasons after an introduction by her teacher, the choreographer Mikhail Fokine.

6/
Design for the Set of the Ballet ‘Narcisse’, premiered at the Théâtre de Monte Carlo, 1911.  Watercolour, gouache, and charcoal

Bakst designed this impressive decor for Narcisse, a one-act ballet about the Greek mythological figure Narcissus, who falls in love with his own reflection in a pool of water. The story is set at the shrine of Pomona, a mythological goddess associated with the abundance of nature. The rich green landscape Bakst created echoes the sensibilities of the Art Nouveau style.

***

Images from ”Performance as Escape: Léon Bakst and the Ballets Russes”, an exhibition featuring a small selection of costume and set designs by Léon Bakst for the Ballets Russes, we happened upon on our way to The Met’s 2017 blockbuster, Rei Kawakubo/Comme des Garçons: Art of the In-Between.

You can see photos from that show, in nine sections, by going to the Search button at the end of the page and simply typing ”Rei Kawakubo”.

August 6th, 2017