Evening At The Talk House

Back in New York with not a moment to waste. Off to The Pershing Square Signature Center for an ”Evening at the Talk House”. Wallace Shawn’s latest play, a dark comedy, a sounding alarm, a dystopian society, the end of the world as we know it. Nothing too dramatic, just a few friends and theatre colleagues getting together on the occasion of the 10-year anniversary of a huge flop they had worked together in, the legendary ”Midnight in a Clearing With Moon and Stars”.

The author, played by Mathew Broderick, introduces us to the rest of the group and they all sit together having drinks and exchanging compliments and mischievous (un)pleasantries. Everything seems perfectly normal – except the more we follow their conversation the deeper we enter into a dystopian world where theatre is dead and people have taken to executing foreign nationals, in order to protect ”us” from ”them”. Who exactly is ”us” and ”them” is open to debate.

But first, there was some housewarming mingling; the audience were treated as guests, with members of the cast offering candy-coloured drinks and jelly babies. If you look closely, you’ll notice Mr. Broderick and Mr. Shawn in his pajamas, casually chatting away with their ”guests”. 

The Pershing Square Signature Center
February 26th, 2017

Crazy electric hair

Of all the glass sculptures in this exhibition, Neon 206 stands out as the craziest. Installed specifically to reflect on the Conservatory windows and the pool outside, it must be seen in the dark or else it would look just like a bundle of bent tubes (which is what it is). But at night it transforms into an explosion of light, the perfect backdrop for those playful shadowy portraits; snapshots of electric dreams.

With this neon light craziness, we bid farewell to the Botanical Garden and the magical world of Dale Chihuly. Next stop, Philadelphia…

Neon 206 (2017)

Chihuly Nights, New York Botanical Garden

October 14th, 2017

A walk down memory lane

When lemonade was served in lace crystal glasses and sipped through grandma’s drinking glass straws. Those lean, sleek pastel coloured things of beauty that were kept locked only to come out when there were visitors – on Sundays mostly. Despite handling with care, they succumbed to their fragile nature, one by one, drink after drink. They were never replaced. It was the dawn of the 1970s and Tupperware had already taken Europe by storm since the 1960s. The plastic age had arrived.

Glow

White Tower with Fiori
Glasshouse Fiori

Chihuly Nights, New York Botanical Garden

October 14th, 2017

Of Blue Crystals and The Fountain of Life

Of the perfect synergy between man and nature that makes it possible to create such exquisite, delicate, fragile things of beauty out of mere grains of sand.

Of the teamwork between artists, technicians, designers, gardeners, landscape architects and light engineers that made this exhibition such a success.

Of the New York Botanical’s readiness to replant large parts of the Gardens to complement the glass sculptures and make them look like they were grown together organically, in perfect harmony.

Of the way the sculptures glow in the dark and become alive, like mystical creatures.

Blue polyvitro crystals, 2016
Glass sculptures by Dale Chihuly in The Lillian Goldman Fountain of Life, 1905
Sapphire Star, 2010
Glass sculpture by Dale Chihuly

Chihuly Nights, New York Botanical Garden

October 14th, 2017