The most eclectic way to warm up

Enter the Portland Museum of Art

Untitled (Hooking Buck Head Down), 2013
Marc Swanson (U.S., b. 1969)
Polyurethane foam, crystals, adhesive


Leopard, 19th century
Glazed earthenware


Candlesticks, ca. 1880
Bronze, marble, gilding
Unidentified Artist


Summer, 1927
Bronze
John Clements Gregory (U.S. (born England), 1879-1958)


Left Hand, 2007
Oil on linen
Jenny Holzer (U.S., b. 1950)


Frisbee, 1987
Oil on canvas
Will Barnet (U.S., 1911-2012)


Black Cat on Orange Background, 1958-59
Oil on masonite
Alex Katz (U.S., b. 1927)


Two Female Models Sitting with Legs Crossed and Kazak Rug, 2013
Oil on canvas
Philip Pearlstein (U.S., b. 1924)


Slab City Road, 1959
Oil on linen
Alex Katz (U.S., b. 1927)


Mother and Child, 1922
Mahogany
William Zorach (U.S. (born Lithuania), 1889-1966)


Diana of the Sea, 1940
Oil on canvas
Marguerite Thompson Zorach


A Midsummer Night’s Dream, 2016
Ink on latex saturated cellulose
Tim Rollins and K.O.S. (U.S., 1955-2017; U.S., established 1984)


New York-Paris No.2, 1931
Oil on canvas
Stuart Davis (U.S., 1892-1964)


Mrs. Henry St. John Smith (Ellen Archer Eveleth Smith), 1883
Oil on canvas
John Singer Sargent (U.S. (born Italy), 1856-1925


Dancer and Gazelles, 1912
Bronze
Paul Manship (U.S., 1885-1966)


Sideboard, ca. 1795-1800
Mahogany and other woods
John and Thomas Seymour (U.S. (born England), 1738-1818 & 1771-1849)

Portraits of Sally Stevens Lord and James Lord, ca. 1834
Oil on canvas
Attributed to Royal Brewster Smith (U.S., 1801-1855)


Eleanor Foster, 1755
Oil on canvas
Joseph Badger (U.S., 1708-1765)


The Dead Pearl Diver, 1858
Marble
Benjamin Paul Akers (U.S., 1825-1861)


Portland, ME

November 21st, 2018

Head Hunters

Outside the MFA.

“Over the past several decades, Antonio Lopez Garcia has become known as the finest Spanish painter of his generation. His intensely realistic paintings-ranging in subject from grimy bathroom sinks to expansive Madrid cityscapes-often take him years of meticulous work to complete. These sculptures, and several other recent works by Lopez, were inspired by the birth of his grandchildren. When his second grandchild, Carmen, was a few months old, Lopez began modeling two portraits of her head, one depicting her awake and the other asleep.”
Source: CultureNOW

The full sculpture of the Hunter, however, depicts him hunting a antelope – not heads!

“Paul Manship designed Indian and Pronghorn Antelope to span the length of the mantelpiece in his New York City apartment. He expertly used the negative space created by the separation of the hunter and his prey to capture the drama of the hunt. The work represents a compromise between historical artistic traditions and modern tendencies toward abstraction: the smooth planes and stylized renderings recall ancient Greek statues, while the arresting linear design and suggestion of movement reflect Manship’s own innovations. Small-scale statuettes such as these were popular for interior decoration, and Manship’s style was immediately accepted by the public.” Source: Art Institute Chicago

While this particular cast adorns the Fenway entrance lawn of the Museum of Fine Arts, a quick search on line shows a number of others being in permanent collections of various museums in America, such as The Met in New York, Joslyn Art Museum in Omaha Nebraska, Buffalo Center of the West Wyoming, The Art Institute of Chicago, Detroit Institute of Arts.

Antonio López García
Day & Night, 2008
Bronze

Paul Manship
Indian Hunter, 1917, this cast 2002
Bronze

Museum of Fine Arts, Boston

May 2nd, 2017