What’s Happening…?

… I hear you ask. The City has been hit, once again, by a jolly wave of Christmas Fever. There are parties and ice sculptures, young Santa wannabes and grumpy valet Snowmen, tea and sympathy (and cookies) with curious Creatures, Christmas trees in public spaces, earworm inducing sugary tunes and lights – zillions of dazzling lights everywhere!

HAPPY HOLIDAYS EVERYONE! 

December 24th, 2018

The House Artist

I’ve seen him many times; never wanted to disturb him absorbed as he was in his work. I didn’t know his name or anything else about him so I turned to the Internet for information – and the Internet obliged: his name is Dwight Williams and here is his story, as featured in Humans of New York.

The Metropolitan Museum of Art
5th Avenue

August 6th, 2017

The Titan’s Goblet

One of my favourite paintings, is on view @The_Met. Both mythical and realistic, surreal yet, somehow, familiar. I feel like it would take me many moon phases – or may be forever – to complete a full circle around the lush wooded rim. I feel like I’ve been there many times before; I go there often – in my dreams. Almost always in twilight, instances before it turns completely dark.

The Titan’s Goblet, 1833
Thomas Cole (1801–1848)
Oil on canvas

August 6th, 2017

Bakst-[age] @The_Met

Looking for Rei…

1/
Costume Design by Léon Bakst for Vaslav Nijinsky in the Role of Iksender in the Ballet “La Péri” (The Flower of Immortality), 1922 (first performed in Paris, 1912). Watercolour and gold and silver paints over graphite

With his distinct Eurasian features, Nijinski effortlessly portrayed protagonists of various ethnicities, such as Iksender in La Péri, set in Iran. However he never actually performed as Iksender, because Diaghilev cancelled the entire production when Nijinski’s female counterpart could not match his talent in dance.

2/
Fantaisie sur le costume moderne‘: Two female haute couture figures, 1910. Graphite, brush and watercolour and gouache 

Although better known for his costume and stage designs for the Ballets Russes directed by Diaghilev and the performances of Ida Rubinstein, Bakst was also influential in fashion design during the early decades of the 20th century, and designed garments himself. The designs in this drawing show the bold, sensuous colour, characteristic of his style, with geometric patterns and rich textures.

3/
Costume Design for a Woman from the Village, for the Ballet ‘Daphnis and Chloé‘, performed at the Théâtre du Châtelet in Paris, 1912. Watercolour and graphite

This ballet by Fokine was first performed at the Théâtre du Châtelet in Paris in 1912, as part of the repertoire of the Ballets Russes for the season. The costume designs for the ballet were inspired by Ancient Greece, and Bakst drew inspiration from ancient vases, both for the costumes and the poses and movements of dancers

4/Ida’s stylish fans in mutual admiration.

5/
Mme Ida Rubinstein1917. Watercolour, gouache, and graphite on paper, mounted on canvas

Bakst was a gifted portrait artist and captured the likeness of many of his friends and colleagues. In this almost life-size watercolour, he depicts the Russian heiress Ida Rubinstein, who danced with the Ballets Russes for two seasons after an introduction by her teacher, the choreographer Mikhail Fokine.

6/
Design for the Set of the Ballet ‘Narcisse’, premiered at the Théâtre de Monte Carlo, 1911.  Watercolour, gouache, and charcoal

Bakst designed this impressive decor for Narcisse, a one-act ballet about the Greek mythological figure Narcissus, who falls in love with his own reflection in a pool of water. The story is set at the shrine of Pomona, a mythological goddess associated with the abundance of nature. The rich green landscape Bakst created echoes the sensibilities of the Art Nouveau style.

***

Images from ”Performance as Escape: Léon Bakst and the Ballets Russes”, an exhibition featuring a small selection of costume and set designs by Léon Bakst for the Ballets Russes, we happened upon on our way to The Met’s 2017 blockbuster, Rei Kawakubo/Comme des Garçons: Art of the In-Between.

You can see photos from that show, in nine sections, by going to the Search button at the end of the page and simply typing ”Rei Kawakubo”.

August 6th, 2017

Poor Lonesome Cowboy

*Big City Tunes*

I’m a poor lonesome cowboy
I’m a long long way from home
And this poor lonesome cowboy
Has got a long long way to roam
Over mountains over prairies
From dawn till day is done
Into the setting sun

Lonesome cowboy, lonesome cowboy,
You’re a long long way from home
Lonesome cowboy, lonesome cowboy,
You’ve a long long way to roam
There are guys who just figure
Have a problem with a gun
And a finger on a trigger
Can be dangerous, hurt someone
But problems solve much better
By keeping calm and true
My horse and me keep riding
I ain’t nobody’s fool

I’m a poor lonesome cowboy
But it doesn’t bother me
‘Cause this poor lonesome cowboy
Prefers a horse for company
Got nothing against women
But I wave them all goodbye
My horse and me keep riding
We don’t like being tied
Lonesome cowboy, lonesome cowboy,
You’re a long long way from home
Lonesome cowboy, lonesome cowboy,
You’ve a long long way to roam

To roam

July 26th, 2017

Sixth and a Half

Times Fifty Sixth, equals the magic number that unlocks the mysteries of the Avenue That Does Not Exist.

You too can uncover its mysteries; but tread gently or you might upset the kind denizens of this strange, parallel world.

Popeye by Jeff Koons, 2009-2012
Granite and live flowers

Big, big Penny by Tom Otterness, 1993
Bronze

July 26th, 2017