Not quite bespoke, still very stylish.
Ralph Lauren Men’s Flagship store, Madison Avenue
September 17th, 2016
Tag: upper east side
Window shop art
In the glorious Gertrude Rhinelander Waldo House, a French Renaissance revival mansion located at 867 Madison Avenue.
It is home to the Ralph Lauren Men’s Flagship store and had me wondering whether it looks as glorious on the inside. Could I just step in to have a look? Although, who am I kidding, I’d probably spend hours browsing through the apparel; I usually find their Men’s collections much more interesting than the Women’s, anyway.
September 17th, 2016
The three chimneys
of the Ravenswood Generating Station, or Big Allis to friends. Actually there are four, but only three are visible from this angle.
When it opened in 1965, it was the “world’s first million kilowatt unit…big enough to serve 3.000.000 people”. In today’s figures, it has the capacity of providing around 20% of the electricity consumed by New York City.
At the time of its installation, it was also the world’s largest steam energy generating facitly. Today, when necessary, steam is supplied from the plant to the Manhattan steam system via the Ravenswood tunnel which runs under the East River.
Taken from the John Finley Walk on the Upper East Side. The trees and buildings left and right are actually closer, on Roosevelt Island; Big Allis is located further away on Vernon Blvd and 36th Avenue, in Queens.
September 17th, 2016
Talking about subway art
Granted, beautiful artwork adorns many of New York’s subway stations, but the works featured at the newly opened Second Avenue Subway are our current darlings – and with very good reason!
Just look at these fabulous life-size mosaics at the Second Avenue-72nd Street by Brazilian artist Vik Muniz. Based on staged photographs of people he knows, some ordinary, some made-up, others well-known Muniz named this series “Perfect Strangers” because that’s what people waiting for the train are: perfect strangers getting together for a brief moment before going about their separate ways.
On to Second Avenue-86th Street station, where the walls are adorned with Chuck Close’s ”Subway Portraits”, 12 large works based on his photo-realistic portrait paintings, transposed into mosaics or tiles.
Here are the portraits of the artist himself, artist Sienna Shields (whose identity it took me some digging to discover being unfamiliar with the local artistic milieu) and Lou Reed:
January 08th, 2017
Woman with Parasol
Cultural fusion (Upper-East-Side version)
August 27th, 2016
*VERY MERRY MERRY*
Happy Holidays everyone! Stay cool and enjoy!
And for those in hibernation escaping Xmas Blues: don’t worry, it’ll soon be over; it will go away before you know it and then you’ll be counting the days until the next.
Merry Blue Greetings from New York!
December 24, 2016
Klimt and the Women of Vienna’s Golden Age, 1900–1918
It was a very cold day with breathtaking, eye blurring strong wind gusts, the first after an unusually long and mild autumn and it caught me unprepared. Then, there was a queue outside the Neue Galerie which, considering it was a weekday, also caught me unprepared. It was my second visit at the premises but the first one to the galleries, the last being a coffee break at the Vienna-inspired Café Sabarsky – for which there is a separate queue given its popularity which competes with that of the Galerie itself.
A staircase (or elevator) brings the visitor to the high-ceilinged reception rooms with their wood floors and wall panels, where Gustav Klimt’s Ladies await to welcome guests into their fin-de-siècle golden world of art nouveau, showing off their costumes, accessories, decorative objects and furniture. All this tends to feel a little cramped – this is a private mansion after all and the guests are eager and plenty – but it’s only a small inconvenience quickly brushed off once guests are made to feel at home by the charming Ladies.
Consisting of 12 paintings, 40 drawings, 40 works of decorative art, and vintage photographs of Klimt the exhibition is of a smaller scale compared to what we’re becoming used to in The City and certainly far smaller than the extensive collections I had the chance to experience in Vienna.
Having said that, I’m always surprised – with mixed feelings – when I finally get to see a work of art, like the Portrait of Adele Bloch-Bauer I for example, in the gallery that actually owns it and learn about its long trip home; a home sometimes to be found in the most unexpected places.
Photography is strictly not allowed in the galleries and hallways but here is a photo of the elegant black-and-white staircase, the only place I could take one away from the accusing eyes of the guards.
Klimt and the Women of Vienna’s Golden Age, 1900–1918 runs through January 16th, 2017 and while, as already mentioned, small and in no way representative of Klimt’s work it will certainly be an hour – or two – spent in good company. After all, we can all use some Golden Age glamour this holiday season, cant we all?
November 21st, 2016
I am for an art
I Am For… (Statement, 1961)
I am for an art that is political-erotical-mystical, that does something other than sit on its ass in a museum.
I am for an art that grows up not knowing it is art at all, an art given the chance of having a starting point of zero.
I am for an art that embroils itself with the everyday crap and still comes out on top.
I am for an art that imitates the human, that is comic, if necessary, or violent, or whatever is necessary.
I am for all art that takes its form from the lines of life itself, that twists and extends and accumulates and spits and drips, and is heavy and coarse and blunt and sweet and stupid as life itself.
I am for an artist who vanishes, turning up in a white cap painting signs or hallways.
I am for art that comes out of a chimney like black hair and scatters in the sky.
I am for art that spills out of an old man’s purse when he is bounced off a passing fender.
I am for the art out of a doggie’s mouth, falling five stories from the roof.
I am for the art that a kid licks, after peeling away the wrapper.
I am for an art that joggles like everyone’s knees, when the bus traverses an excavation.
I am for art that is smoked like a cigarette, smells like a pair of shoes.
I am for art that flaps like a flag, or helps blow noses like a handkerchief.
I am for art that is put on and taken off like pants, which develops holes like socks, which is eaten like a piece of pie, or abandoned with great contempt like a piece of shit.
I am for art covered with bandages. I am for art that limps and rolls and runs and jumps.
I am for art that comes in a can or washes up on the shore.
I am for art that coils and grunts like a wrestler. I am for art that sheds hair.
I am for art you can sit on. I am for art you can pick your nose with or stub your toes on.
I am for art from a pocket, from deep channels of the ear, from the edge of a knife, from the corners of the mouth, stuck in the eye or worn on the wrist.
I am for art under the skirts, and the art of pinching cockroaches.
I am for the art of conversation between the sidewalk and a blind man’s metal stick.
I am for the art that grows in a pot, that comes down out of the skies at night, like lightning, that hides in the clouds and growls. I am for art that is flipped on and off with a switch.
I am for art that unfolds like a map, that you can squeeze, like your sweetie’s arm, or kiss like a pet dog. Which expands and squeaks like an accordion, which you can spill your dinner on like an old tablecloth.
I am for an art that you can hammer with, stitch with, sew with, paste with, file with.
I am for an art that tells you the time of day, or where such and such a street is.
I am for an art that helps old ladies across the street.
I am for the art of the washing machine. I am for the art of a government check. I am for the art of last war’s raincoat.
I am for the art that comes up in fogs from sewer holes in winter. I am for the art that splits when you step on a frozen puddle. I am for the worm’s art inside the apple. I am for the art of sweat that develops between crossed legs.
I am for the art of neck hair and caked teacups, for the art between the tines of restaurant forks, for the odor of boiling dishwater.
I am for the art of sailing on Sunday, and the art of red-and-white gasoline pumps.
I am for the art of bright blue factory columns and blinking biscuit signs.
I am for the art of cheap plaster and enamel. I am for the art of worn marble and smashed slate. I am for the art of rolling cobblestones and sliding sand. I am for the art of slag and black coal. I am for the art of dead birds.
I am for the art of scratching in the asphalt, daubing at the walls. I am for the art of bending and kicking metal and breaking glass, and pulling at things to make them fall down.
I am for the art of punching and skinned knees and sat-on bananas. I am for the art of kids’ smells. I am for the art of mama-babble.
I am for the art of bar-babble, tooth-picking, beer-drinking, egg-salting, in-sulting. I am for the art of falling off a barstool.
I am for the art of underwear and the art of taxicabs. I am for the art of ice-cream cones dropped on concrete. I am for the majestic art of dog turds, rising like cathedrals.
I am for the blinking arts, lighting up the night. I am for art falling, splashing, wiggling, jumping, going on and off.
I am for the art of fat truck tires and black eyes.
I am for Kool art, 7UP art, Pepsi art, Sunshine art, 39 cents art, 15 cents art, Vatronol art, Dro-bomb art, Vam art, Menthol art, L&M art, Ex-lax art, Venida art, Heaven Hill art, Pamryl art, San-o-med art, Rx art, 9.99 art, Now art, New art, How art, Fire Sale art, Last Chance art, Only art, Diamond art, Tomorrow art, Franks art, Ducks art, Meat-o-rama art.
I am for the art of bread wet by rain. I am for the rat’s dance between floors. I am for the art of flies walking on a slick pear in the electric light. I am for the art of soggy onions and firm green shoots. I am for the art of clicking among the nuts when the roaches come and go. I am for the brown sad art of rotting apples.
I am for the art of meows and clatter of cats and for the art of their dumb electric eyes.
I am for the white art of refrigerators and their muscular openings and closings.
I am for the art of rust and mold. I am for the art of hearts, funeral hearts or sweetheart hearts, full of nougat. I am for the art of worn meat hooks and singing barrels of red, white, blue, and yellow meat.
I am for the art of things lost or thrown away, coming home from school. I am for the art of cock-and-ball trees and flying cows and the noise of rectangles and squares. I am for the art of crayons and weak, gray pencil lead, and grainy wash and sticky oil paint, and the art of windshield wipers and the art of the finger on a cold window, on dusty steel or in the bubbles on the sides of a bathtub.
I am for the art of teddy bears and guns and decapitated rabbits, exploded umbrellas, raped beds, chairs with their brown bones broken, burning trees, firecracker ends, chicken bones, pigeon bones, and boxes with men sleeping in them.
I am for the art of slightly rotten funeral flowers, hung bloody rabbits and wrinkly yellow chickens, bass drums and tambourines, and plastic phonographs.
I am for the art of abandoned boxes, tied like pharaohs. I am for an art of water tanks and speeding clouds and flapping shades.
I am for US Government Inspected Art, Grade A art, Regular Price art, Yellow Ripe art, Extra Fancy art, Ready-to-Eat art, Best-for-Less art, Ready-to-Cook art, Fully Cleaned art, Spend Less art, Eat Better art, Ham art, pork art, chicken art, tomato art, banana art, apple art, turkey art, cake art, cookie art…
add:
I am for an art that is combed down, that is hung from each ear, that is laid on the lips and under the eyes, that is shaved from the legs, that is brushed on the teeth, that is fixed on the thighs, that is slipped on the foot.
square which becomes blobby
Claes Oldenburg, 1961
Inspired by a visit to Manifesto at the Park Avenue Armory.
Excerpts from Oldenburg’s art statement dominated the ”Conservative mother with family” film. It spoke to me particularly because I, like the artist, have been a firm believer in some or all of the parts, during some or all phases of my life.
Photos of artworks from the collection of The Whitney Museum of American Art.
Photo from Manifesto by James Ewing.
December 10th, 2016
Manifesto
I went in expecting to see an interesting video art installation. I came out a better person, conscious that I have witnessed a brilliant work of art. Julian Rosenfeldt’s Manifesto bridges admirably the boundaries between filmmaking, theatrical artistic expression and technical dexterity. Mounted on 13 screens, positioned all over the monumental Wade Thompson Drill Hall in deceptive randomness, Manifesto brings to life excerpts of over 50 manifestos and statements by artists, filmmakers, choreographers and architects, going back as early as 1913 (Appolinaire’s The Futurist Antitradition) and as recently as 2002 (Jim Jarmusch’s Golden Rules of Filmmaking).
And then, there is Cate Blanchett. In case you still had a doubt about Ms. Blanchett’s brilliance as a performer this is your moment of truth. Passing effortlessly from the role of a homeless man, to a diva choreographer, a TV anchorwoman, a factory worker, a school teacher, a scientist, or my two favourites – a puppeteer and a conservative mother, Ms Blanchett interprets, dramatizes and recites excerpts, merging different manifestos and statements in every story seamlessly, skillfully proving yet again what a powerful performer she really is.
Manifesto is on at the Park Avenue Armory until January 8th, 2017. An unmissable treat, if your way brings you to New York City until then.
Photography is not permitted inside the hall, and rightfully so for once, as camera and cell phone lights would have been all but rude intruders destroying the immersive, audio-visual experience.
As a compensation, cameras are welcome in all the beautifully restored reception rooms on the first floor.
December 10th, 2016
Single Yellow Line
Where would New York be without the yellow taxi cabs?
Fifth Avenue, Manhattan Upper East Side
August 27th 2016
The Humble Fabulist 