Ajay Kurian (b. 1984), details of Childermass, 2017.
Plaster, sulfur, goldstone, steel, epoxy resin, polyurethane resin, custom clothing, screen printed T-shirt, sneakers, spray paint, LEDS and duct tape, dimensions variable.
Childermass, or ”The grim brothers” as I dubbed it because that was the first thing that came to mind, was an installation of haunting figures – children, animals, some of them merged into both, some not human at all, eerily hanging from floor to ceiling in the Whitney’s stairwell during the 2017 Biennial.
June 10th, 2017
