Carrington (Portrait of a Girl in a Blue Jersey), 1912 by Mark Gertler (1891-1939)
Oil and tempera on canvas
Though begun in tempera, this portrait was finished in oils, a more forgiving medium. The switch may have been made from necessity: Gertler often admonished his sitter, fellow art student and object of his unrequited love, Dora Carrington, for her habit of rarely sitting still.
Bathers (Bath Houses), 1950 by George Tooker (1920-2011)
Egg tempera on gessoed board
Tooker used egg tempera, a medium popular among Renaissance painters which underwent a revival in the 1930s and 1940s, to capture exacting details.
The Long Leg, ca. 1930 by Edward Hopper (1882-1967)
Oil on canvas
The Long Leg depicts a sailboat near the Long Point Light at Provincetown, Massachusetts, at about 3 o’clock in the afternoon. The boat sails in a zigzag series of short )and long tacks, or legs. Although the painting portrays a scene of leisure, no people are visible on the boat or the landscape. Despite (or, perhaps, because of) this absence, this is my all time favourite of all of Hopper’s brilliant works.
July 16th, 2017