The Art is in the stairwells, meeting face-to-face with Abigail Lazkoz’s agonizing Cameramen; walking In the Woods, deep into Ernesto Caivano’s dark, magical forest; bathed in nature’s ephemeral reflections, outside in the courtyard.
Abigail Lazkoz: Cameraman
Abigail Lazkoz created the series Cameramen in 2002 and displayed it for the first time in MoMA PS1’s exhibition Greater New York 2005. The work consists of three large-scale drawings that reinterpret Jose Guadaulpe Posada’s 1914 engraving Se Aproxima el Fin del Mundo Las Profecias Se Cumplen Temblores, Erupciones, Guerras, Pestes, Hambres E Incendios. La Celebre Madre Matiana (The end of the World is Near, Prophecies Come True, Earthquakes, Eruptions, Wars Diseases, Famine, and Fires).
Ernesto Caivano: In the Woods
For MoMA PS1’s stairwell A, Ernesto Caivano created a wall mural based on an ongoing story he developed over three years called After the Woods. While After the Woods consists of drawings and paper sculptures, In the Woods is composed of black latex paint and gouache to create a dense visual web of images composing Caivano’s larger-than-life sized environment. The exaggerated scale of the piece creates a total experience for the viewer, allowing an escape into this imaginary world. Naked and gnarled tree branches wind around the walls and sprout up and out onto the ceiling, entangling the viewer in their dark and magical embrace.
March 24th, 2018