The grim brothers

Ajay Kurian (b. 1984), details of Childermass, 2017.
Plaster, sulfur, goldstone, steel, epoxy resin, polyurethane resin, custom clothing, screen printed T-shirt, sneakers, spray paint, LEDS and duct tape, dimensions variable.

Childermass, or ”The grim brothers” as I dubbed it because that was the first thing that came to mind, was an installation of haunting figures – children, animals, some of them merged into both, some not human at all, eerily hanging from floor to ceiling in the Whitney’s stairwell during the 2017 Biennial.

June 10th, 2017

 

Rain of Light

My title, not the artist’s. The artist left it untitled so I thought, what if I call it ”Rain of Light”, isn’t it more fitting? Presumptuous may be, but it was the first thing that came to mind when I saw it illuminating the stairwell, making it an integral part of the museum rather than a solely utilitarian feature. I instantly thanked myself for choosing to take the stairs instead of the lift.

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Ambience

Felix Gonzalez-Torres
”Untitled” (America), 1994

Twelve light strings, each with forty-two 15-watt lightbulbs and rubber sockets, at the stairwell of The Whitney Museum of American aRt.

September 10th, 2016

Becky

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Mermaid, by Liz Craft. Bronze, steel, paint.

She was part of the ”Mirror Cells” exhibition at the Whitney. When the exhibition ended on August 21st Becky decided to linger awhile. She loved the attention so much she couldn’t bear the thought of parting from one of Manhattan’s most creatively designed terraces.

September 10th, 2016